The subject of this paper is the work of Franz Jaksch (1851–1931), a versatile musician who served as the bandmaster of the Imperial and Royal Navy Orchestra in Pula, the main port of the Austro-Hungarian monarchy in the period between 1899 and 1917. It was in Pula that he composed most of his pieces tailored for military orchestras, opera stages and bourgeois salons. During his bandmaster term, the Navy Orchestra performed some of the most significant orchestral pieces from the symphonic repertoire.
In 1927, Europe marked the centennial of the death of one of its greatest composers, Ludwig van Beet...
This work follows the birth and evolution of military musical ensembles in Bohemia, especially in th...
Militärmarsch auf die Melodie "Prinz Eugen, der edle Ritter" zur Schlacht bei Belgrad 1717, die erha...
The culturological project officially titled as Die Österreichisch-Ungarische Monarchie in Wort und ...
This paper results from research of archival collections and periodicalson orchestras and prominent ...
A special chapter of research into the history of folk music in the time of the Austrian-Hungarian M...
The Principality and later Kingdom of Serbia with its less pronounced class differences, with a thin...
The Principality and later Kingdom of Serbia with its less pronounced class differences, with a thin...
Archduke Ferdinand of Inner Austria was not only the dedicatee of the anthology Parnassus Musicus Fe...
<p>As a multinational state with a population that spoke eleven different languages, the Austro-Hung...
Although the subject of the Przemyśl Fortress has been incessantly popular for years, little space h...
At the height of political, military and diplomatic missions in the Great War, musicians from Kingdo...
As the Principality of Serbia (1817-1882) fought for its political independence and sovereignity in...
The paper provides a concise insight into the activity of Slovenian musicians residing in Sarajevo d...
The starting point of the study is the division of private Kapellen maintained by Bohemian aristocr...
In 1927, Europe marked the centennial of the death of one of its greatest composers, Ludwig van Beet...
This work follows the birth and evolution of military musical ensembles in Bohemia, especially in th...
Militärmarsch auf die Melodie "Prinz Eugen, der edle Ritter" zur Schlacht bei Belgrad 1717, die erha...
The culturological project officially titled as Die Österreichisch-Ungarische Monarchie in Wort und ...
This paper results from research of archival collections and periodicalson orchestras and prominent ...
A special chapter of research into the history of folk music in the time of the Austrian-Hungarian M...
The Principality and later Kingdom of Serbia with its less pronounced class differences, with a thin...
The Principality and later Kingdom of Serbia with its less pronounced class differences, with a thin...
Archduke Ferdinand of Inner Austria was not only the dedicatee of the anthology Parnassus Musicus Fe...
<p>As a multinational state with a population that spoke eleven different languages, the Austro-Hung...
Although the subject of the Przemyśl Fortress has been incessantly popular for years, little space h...
At the height of political, military and diplomatic missions in the Great War, musicians from Kingdo...
As the Principality of Serbia (1817-1882) fought for its political independence and sovereignity in...
The paper provides a concise insight into the activity of Slovenian musicians residing in Sarajevo d...
The starting point of the study is the division of private Kapellen maintained by Bohemian aristocr...
In 1927, Europe marked the centennial of the death of one of its greatest composers, Ludwig van Beet...
This work follows the birth and evolution of military musical ensembles in Bohemia, especially in th...
Militärmarsch auf die Melodie "Prinz Eugen, der edle Ritter" zur Schlacht bei Belgrad 1717, die erha...