This essay is inspired by Stanley Cavell’s attempt to renew, and to a certain extent redefine, the tradition of moral perfectionism lies his conviction that perfectionist attitudes are both constitutive of one aspect of philosophy, the one (that is) turned toward the knowledge of the self, and necessary for the survival of democratic societies. His work on Hollywood comedies and melodramas speaks directly to how intertwined personal change and democratic aspirations are in his view and to the philosophical and pedagogical value he credits popular films with. The claim of the essay is that contemporary TV series deserve the same philosophical attention that films have received and, subsequently, that Cavell’s ideas about what binds perfectio...
Using Stanley Cavell’s lesser-known writings on television, this article underlines the importance o...
This paper examines Stanley Cavell's theories from the perspective of a 'politics of cinema' and eng...
Stanley Cavell taught us that films give us a view of a world that differs from the world in which w...
This essay is inspired by Stanley Cavell’s attempt to renew, and to a certain extent redefine, the t...
A substantial strand in the interpretations of the films of Dušan Makavejev foregrounds the juxtapos...
This introductive article propose a brief overview of the contributions of Stanley Cavell in his dia...
In the lead essay for this volume, Joshua Foa Dienstag engages in a critical encounter with the work...
International audienceStanley Cavell was the first to account for the transformation of theory and c...
The article starts from a consideration of the first season of the TV series “The Leftovers” in orde...
I am honored to respond to Paul Guyer’s elaboration on the role of examples of perfectionism in Cave...
It is a curious feature of philosophical writing that authors rarely reflect on what motivates their...
One of the obvious specific traits of the television series experience is that we tend to watch it e...
Stanley Cavell's writing on film has been an important inspiration for the recent 'philosophical tur...
The miniseries Show Me a Hero, is an HBO product created by David Simon and directed by Paul Haggis....
For Cavell, American transcendentalism and film share the capacity to provide an education in takin...
Using Stanley Cavell’s lesser-known writings on television, this article underlines the importance o...
This paper examines Stanley Cavell's theories from the perspective of a 'politics of cinema' and eng...
Stanley Cavell taught us that films give us a view of a world that differs from the world in which w...
This essay is inspired by Stanley Cavell’s attempt to renew, and to a certain extent redefine, the t...
A substantial strand in the interpretations of the films of Dušan Makavejev foregrounds the juxtapos...
This introductive article propose a brief overview of the contributions of Stanley Cavell in his dia...
In the lead essay for this volume, Joshua Foa Dienstag engages in a critical encounter with the work...
International audienceStanley Cavell was the first to account for the transformation of theory and c...
The article starts from a consideration of the first season of the TV series “The Leftovers” in orde...
I am honored to respond to Paul Guyer’s elaboration on the role of examples of perfectionism in Cave...
It is a curious feature of philosophical writing that authors rarely reflect on what motivates their...
One of the obvious specific traits of the television series experience is that we tend to watch it e...
Stanley Cavell's writing on film has been an important inspiration for the recent 'philosophical tur...
The miniseries Show Me a Hero, is an HBO product created by David Simon and directed by Paul Haggis....
For Cavell, American transcendentalism and film share the capacity to provide an education in takin...
Using Stanley Cavell’s lesser-known writings on television, this article underlines the importance o...
This paper examines Stanley Cavell's theories from the perspective of a 'politics of cinema' and eng...
Stanley Cavell taught us that films give us a view of a world that differs from the world in which w...