International audienceIn this article we describe our ongoing research and development efforts towards integrating the control of sound spatialisation in computer-aided composition. Most commonly, the process of sound spatialisation is separated from the world of symbolic computation. We propose a model in which spatial sound rendering is regarded as a subset of sound synthesis, and spatial parameters are treated as abstract musical materials within a global compositional framework. The library OMPrisma is presented, which implements a generic system for the control of spatial sound synthesis in the computer-aided composition environment OpenMusic
Computer-Aided Composition (CAC) research aims to provide composers with specialized programming lan...
Computer-Aided Composition (CAC) research aims to provide composers with specialized programming lan...
This paper presents an approach to spatial audio processing in ambisonics as a part of musical pract...
International audienceIn this article we describe our ongoing research and development efforts towar...
cote interne IRCAM: Schumacher10aNone / NoneNational audienceOMPrisma is a library for the control o...
International audienceWe present recent works carried out in the OpenMusic computer-aided compositio...
cote interne IRCAM: Bresson12bInternational audienceWe survey works and applications of visual progr...
cote interne IRCAM: Bresson12bNone / NoneNational audienceWe survey works and applications of visual...
Abstract—We survey works and applications of visual pro-gramming for the control of sound spatializa...
International audienceWe present recent works on the representation of spatial-ization data for the ...
International audienceWe present recent works on the representation of spatial-ization data for the ...
cote interne IRCAM: Bresson05aInternational audienceThis paper presents current works and future dir...
cote interne IRCAM: Bresson05aNone / NoneNational audienceThis paper presents current works and futu...
We present recent works on the representation of spatial-ization data for the authoring, interchange...
The use of space as a structural part of a composition is a complex issue that involves rethinking t...
Computer-Aided Composition (CAC) research aims to provide composers with specialized programming lan...
Computer-Aided Composition (CAC) research aims to provide composers with specialized programming lan...
This paper presents an approach to spatial audio processing in ambisonics as a part of musical pract...
International audienceIn this article we describe our ongoing research and development efforts towar...
cote interne IRCAM: Schumacher10aNone / NoneNational audienceOMPrisma is a library for the control o...
International audienceWe present recent works carried out in the OpenMusic computer-aided compositio...
cote interne IRCAM: Bresson12bInternational audienceWe survey works and applications of visual progr...
cote interne IRCAM: Bresson12bNone / NoneNational audienceWe survey works and applications of visual...
Abstract—We survey works and applications of visual pro-gramming for the control of sound spatializa...
International audienceWe present recent works on the representation of spatial-ization data for the ...
International audienceWe present recent works on the representation of spatial-ization data for the ...
cote interne IRCAM: Bresson05aInternational audienceThis paper presents current works and future dir...
cote interne IRCAM: Bresson05aNone / NoneNational audienceThis paper presents current works and futu...
We present recent works on the representation of spatial-ization data for the authoring, interchange...
The use of space as a structural part of a composition is a complex issue that involves rethinking t...
Computer-Aided Composition (CAC) research aims to provide composers with specialized programming lan...
Computer-Aided Composition (CAC) research aims to provide composers with specialized programming lan...
This paper presents an approach to spatial audio processing in ambisonics as a part of musical pract...