Add to ORKGArgues for Wharton\u27s inclusion in the modernist canon based on his identification of modernist characteristics found in Ethan Frome (1911). Hays distinguishes these same traits in Hemingway\u27s The Sun Also Rises written fifteen years later, including experimental style and dependence on reader involvement
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...
Argues for Wharton\u27s significant influence as a transitional author on the development of moderni...
Collection of twelve critical essays comparing Wharton and Hemingway as modernists, exploring their ...
Discusses each author\u27s lifelong religious curiosity, which drew them away from their childhood r...
Compares Scribner\u27s 1922 serialization of Wharton\u27s A Son at the Front with Hemingway\u27s A F...
Hemingway cast a great influence on 20th century fiction. He fathered a distinctive protagonist and ...
Compares Wharton\u27s depiction of the twentieth-century New Woman in The Reef (1912) with Hemingway...
Argues against those who find Hemingway’s writing superficial and artless, showing how Hemingway’s c...
Focuses on “generational” knowledge essential for understanding the historical, social, and cultural...
After illustrating how time unfolds in Flaubert\u27s L\u27Education Sentimentale (1869), Gingrich de...
Opens by comparing Hemingway’s distinctly new style in Three Stories and Ten Poems, in our time, and...
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...
Explores the modernist novel as a hybrid of experimental style and formulaic conventions of popular ...
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...
Argues for Wharton\u27s significant influence as a transitional author on the development of moderni...
Collection of twelve critical essays comparing Wharton and Hemingway as modernists, exploring their ...
Discusses each author\u27s lifelong religious curiosity, which drew them away from their childhood r...
Compares Scribner\u27s 1922 serialization of Wharton\u27s A Son at the Front with Hemingway\u27s A F...
Hemingway cast a great influence on 20th century fiction. He fathered a distinctive protagonist and ...
Compares Wharton\u27s depiction of the twentieth-century New Woman in The Reef (1912) with Hemingway...
Argues against those who find Hemingway’s writing superficial and artless, showing how Hemingway’s c...
Focuses on “generational” knowledge essential for understanding the historical, social, and cultural...
After illustrating how time unfolds in Flaubert\u27s L\u27Education Sentimentale (1869), Gingrich de...
Opens by comparing Hemingway’s distinctly new style in Three Stories and Ten Poems, in our time, and...
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...
Explores the modernist novel as a hybrid of experimental style and formulaic conventions of popular ...
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...