The City Space, Marriage and Female Friendship in Sefi Atta’s Everything Good Will

The paper interrogates human interaction in the 21st century city space of Lagos. Using setting to reflect, broaden and foreground emergent sensibilities of the city, the paper shows how this nuanced responsiveness influences the discourse of marriage, family, friendship, gender and identity in the novel. It argues that unlike previous uncomplimentary portrayals of the female in urban literary settings by many a male novelist, Atta rather changes the narrative and dwells on the fertile and reconstructed perspectives of the female. The paper captures some key socio-political and economic sensibilities as well as portrays of old and new varieties of city marriages. It insists that the city is a hotbed for female self-repositioning and personal progress as well as demonstrates that marriage in city space shackles yet uplifts the female. It explores a collage of healthy female bonding that influences and acts as a balm in soothing some harrowing experiences of city marriages. The paper concludes by showing how Atta foregrounds feminine dynamism and individualism in city marriage spaces