International audienceIn this article the author discusses aspects of the piece of music composed as the anthem for the European Union by German musician and orchestra conductor Herbert von Karajan. It is noted that the musical piece was based on a 19th century creation by composer Ludwig van Beethoven. The article explores the relations between the anthem, the European right wing and the fact that von Karajan had joined the German Nazi Party in the era before the Second World War. The author notes the human rights theme in the anthem
This article is concerned with Ludwig van Beethoven's Sonatas for Piano and Violoncello, Opus 5. In ...
This article is concerned with Ludwig van Beethoven's Sonatas for Piano and Violoncello, Opus 5. In ...
Music for human rights and social justice is very often a vehicle for words which then carry the lio...
This article takes the reception of the opening concert of the 1951 Bayreuth festival – a performanc...
The article introduces the Kaiser Prize—the most coveted award in the German American world of Liede...
The article introduces the Kaiser Prize—the most coveted award in the German American world of Liede...
In the article the author is depicting Bayreuth Circle as a social group of radical right-wing Germa...
The article presents the activity of the symphony orchestra in Litzmannstadt Ghetto, existing in Łód...
When the Second World War ended, Germany embarked on a period of heightened reconstruction. Along wi...
When the German Kaiserreich was declared on January 18th, 1871, the audience of Leipzig-based music ...
This book chronicles the exploitation of Beethoven\u27s life and work by German political parties fr...
This book chronicles the exploitation of Beethoven\u27s life and work by German political parties fr...
This book chronicles the exploitation of Beethoven\u27s life and work by German political parties fr...
this article provides detailed scientific information about the piano work of the composer Ludwig Va...
Beethoven, a composer revered by the whole of humanity? This universalist paradigm, taken up again a...
This article is concerned with Ludwig van Beethoven's Sonatas for Piano and Violoncello, Opus 5. In ...
This article is concerned with Ludwig van Beethoven's Sonatas for Piano and Violoncello, Opus 5. In ...
Music for human rights and social justice is very often a vehicle for words which then carry the lio...
This article takes the reception of the opening concert of the 1951 Bayreuth festival – a performanc...
The article introduces the Kaiser Prize—the most coveted award in the German American world of Liede...
The article introduces the Kaiser Prize—the most coveted award in the German American world of Liede...
In the article the author is depicting Bayreuth Circle as a social group of radical right-wing Germa...
The article presents the activity of the symphony orchestra in Litzmannstadt Ghetto, existing in Łód...
When the Second World War ended, Germany embarked on a period of heightened reconstruction. Along wi...
When the German Kaiserreich was declared on January 18th, 1871, the audience of Leipzig-based music ...
This book chronicles the exploitation of Beethoven\u27s life and work by German political parties fr...
This book chronicles the exploitation of Beethoven\u27s life and work by German political parties fr...
This book chronicles the exploitation of Beethoven\u27s life and work by German political parties fr...
this article provides detailed scientific information about the piano work of the composer Ludwig Va...
Beethoven, a composer revered by the whole of humanity? This universalist paradigm, taken up again a...
This article is concerned with Ludwig van Beethoven's Sonatas for Piano and Violoncello, Opus 5. In ...
This article is concerned with Ludwig van Beethoven's Sonatas for Piano and Violoncello, Opus 5. In ...
Music for human rights and social justice is very often a vehicle for words which then carry the lio...