The two essays that comprise this thesis use personal narrative to discuss various aspects of illness, resistance and the body. The first essay uses performance theory to explore the social structures, mandates and restrictions concerning illness. I use the cancer experience to explore the co-creation of self, identity, and modes of being between performer and audience. Performer, in this case, is the breast cancer patient, and the audience is comprised of the social others.” The second essay explores cyborgization of the body, its painful effects, and associated social and moral values. It also discusses how we create theory and understanding of self through fiction, media and experience
The body is the empirical quintessence of the self. Because selfhood is symbolic, embodiment represe...
Picasso’s Woman: A Breast Cancer Story (1994) and Ordinary Life: A Memoir of Illness (1997) tell of ...
This thesis is an analysis and practice of writing otherwise in academia. It takes off from Barthes’...
The two essays that comprise this thesis use personal narrative to discuss various aspects of illnes...
Playing the Cancer Card: Illness, Performance and Spectatorship investigates the experience of spect...
This essay delves into the portrayal of the “unpresentable” in contemporary performances centered ar...
This thesis explores various dilemmas in making theatre performances in the context of social disrup...
This project explores the narration of experiential knowledge about breast cancer arguing that perso...
In this essay I offer some powerful verbal and visual examples of the rhetorics of cancer in an atte...
This dissertation layers trauma studies theory with feminist theories of performance and autobiograp...
This thesis will explore novel applications of phenomenology to performance art, specifically body a...
This chapter will demonstrate the potential for performance to blur the boundaries between the medic...
Through the stories of a woman whom I have called Anna this thesis explores the experiences of 'bei...
ii Gazing at Horror: Body performance in the wake of mass social trauma This thesis explores various...
This edited collection focuses on performance practice and analysis that engages with medical and bi...
The body is the empirical quintessence of the self. Because selfhood is symbolic, embodiment represe...
Picasso’s Woman: A Breast Cancer Story (1994) and Ordinary Life: A Memoir of Illness (1997) tell of ...
This thesis is an analysis and practice of writing otherwise in academia. It takes off from Barthes’...
The two essays that comprise this thesis use personal narrative to discuss various aspects of illnes...
Playing the Cancer Card: Illness, Performance and Spectatorship investigates the experience of spect...
This essay delves into the portrayal of the “unpresentable” in contemporary performances centered ar...
This thesis explores various dilemmas in making theatre performances in the context of social disrup...
This project explores the narration of experiential knowledge about breast cancer arguing that perso...
In this essay I offer some powerful verbal and visual examples of the rhetorics of cancer in an atte...
This dissertation layers trauma studies theory with feminist theories of performance and autobiograp...
This thesis will explore novel applications of phenomenology to performance art, specifically body a...
This chapter will demonstrate the potential for performance to blur the boundaries between the medic...
Through the stories of a woman whom I have called Anna this thesis explores the experiences of 'bei...
ii Gazing at Horror: Body performance in the wake of mass social trauma This thesis explores various...
This edited collection focuses on performance practice and analysis that engages with medical and bi...
The body is the empirical quintessence of the self. Because selfhood is symbolic, embodiment represe...
Picasso’s Woman: A Breast Cancer Story (1994) and Ordinary Life: A Memoir of Illness (1997) tell of ...
This thesis is an analysis and practice of writing otherwise in academia. It takes off from Barthes’...