In The Book, Amaranth Borsuk explores our ever-changing definitions and conceptions of the book in light of shifting social, financial and technological factors. By documenting the physical and material forms of the book across time, Borsuk invites readers to consider how our relationship with the book has persisted despite its on-going transformation, writes Anna Nguyen
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In The End of Aspiration?, Duncan Exley reflects on the current social mobility crisis facing the UK...
In The Acceleration of Cultural Change: From Ancestors to Algorithms, R. Alexander Bentley and Micha...
In The SAGE Handbook of the 21st Century City, Suzanne Hall and Ricky Burdett bring together contrib...
Drawing on her book, Cut/Copy/Paste, Whitney Trettien reflects on the history of radical bookwork an...
In Book Wars: The Digital Revolution in Publishing, John B. Thompson explores the digital transforma...
In The Mediated Construction of Reality, Nick Couldry and Andreas Hepp shed light on how media, and ...
With Utopia for Realists and How We Can Get There, Rutger Bregman offers a new blueprint for constru...
In The New Despotism, John Keane revives this term to examine how the ‘new despotism’ functions toda...
The author of this book, Thomas Maschio, has lived two anthropological lives; an earlier one as an a...
In this feature essay, David Beer argues that reviewing allows us to put collective knowledge ahead ...
In The Asset Economy, Lisa Adkins, Melinda Cooper and Martijn Konings retell the story of neoliberal...
In Decay, Ghassan Hage brings together contributors to explore the mechanisms, conditions and tempor...
In The New Despotism, John Keane revives this term to examine how the ‘new despotism’ functions toda...
In Nihilism and Technology, Nolen Gertz aims to circumvent the binary discussions that characterise ...
In Gentrifier, John Joe Schlichtman, Jason Patch and Marc Lamont Hill offer a riposte to the widespr...
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