LA NARRATIVA DE JAVIER MARÍAS EN DIÁLOGO CON EL CINE. CONFLUENCIAS ESTÉTICAS Y HORIZONTES POSIBLES

Abstract: The article studies the presence of cinema in several novels by Javier Marías. This presence is detected not only in topics and characters, but also in explicit references which are central to the plot. As well as providing a theoretical framework about the limits and challenges of filmic and literary studies, the article provides an analysis of the cinematic elements in his novels. In synthesis, the study aims to fill a gap in this interdisciplinary approach to which critics haves not yet paid enough attention.Resumen: El artículo estudia la presencia del cine en distintas novelas de Javier Marías. Esta presencia puede apreciarse no solo en temas y personajes, sino también en referencias explícitas que están involucradas en el centro de la trama. Además de ofrecer un marco teórico acerca de los límites y desafíos de los estudios fílmicos y literarios, el artículo proporciona un análisis los elementos cinematográficos en sus novelas. En síntesis, el estudio pretende llenar un hueco en este enfoque interdisciplinar al que la crítica especializada aún no ha dedicado una reflexión minuciosa.Abstract: The article studies the presence of cinema in several novels by Javier Marías. This presence is detected not only in topics and characters, but also in explicit references which are central to the plot. As well as providing a theoretical framework about the limits and challenges of filmic and literary studies, the article provides an analysis of the cinematic elements in his novels. In synthesis, the study aims to fill a gap in this interdisciplinary approach to which critics haves not yet paid enough attention