In the sixteenth century, composing a parody Mass was a means to pay tribute to an admired piece and master the composing techniques shown therein. The parody Mass is grounded on the principles of imitation and emulation, on which the whole Renaissance rhetoric is based. This article analyses the Missa Quem dicunt homines by Palestrina. It stresses that in the Renaissance a musician could choose to compose a parody Mass, instead of a Mass on cantus firmus, not only to go towards the taste of his clients, and to suit his own preferences, but also to adhere to a certain rhetorical-pedagogical school of thought
Johann Sebastian Bach\u27s Mass in B Minor is not entirely an original work. Eleven of the twenty-fi...
Musical celebrations of the feast of St Cecilia were common in Europe since the fifteenth century an...
Ph.D.MusicUniversity of Michigan, Horace H. Rackham School of Graduate Studieshttp://deepblue.lib.um...
The main topic of the article is the analysis of the parody technique in the Mass Doctor bonus by Gi...
The main topic of the article is the analysis of the parody technique in the Mass Doctor bonus by Gi...
Orlando di Lasso is regarded as one of the great polyphonic masters of the Renaissance. An internati...
Even though parody and borrowing have long been recognized as legitimate features of Bach's composit...
an original work. Eleven of the twenty-five movements were either borrowed from Bach's earlier ...
428 p.Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2002.Collections of polyphonic ...
This thesis is focused on the musical analysis of the anonymous five-voice mass ordinary Missa super...
Sixteenth-century composers frequently derived settings of the Mass Ordinary from pre-existent music...
The Mass compositions of G. F. Anerio, chapelmaster at king Sigismund III’s court, constitute the pa...
Parody masses based on secular compositions are intriguing due to their employment of profane music ...
The main topic of my thesis is the analysis of the parody technique in the Mass ‘Doctor bonus’ by Gi...
Abstract Although the cantus firmus L’homme armé formed the basis for masses of the Renaissance era,...
Johann Sebastian Bach\u27s Mass in B Minor is not entirely an original work. Eleven of the twenty-fi...
Musical celebrations of the feast of St Cecilia were common in Europe since the fifteenth century an...
Ph.D.MusicUniversity of Michigan, Horace H. Rackham School of Graduate Studieshttp://deepblue.lib.um...
The main topic of the article is the analysis of the parody technique in the Mass Doctor bonus by Gi...
The main topic of the article is the analysis of the parody technique in the Mass Doctor bonus by Gi...
Orlando di Lasso is regarded as one of the great polyphonic masters of the Renaissance. An internati...
Even though parody and borrowing have long been recognized as legitimate features of Bach's composit...
an original work. Eleven of the twenty-five movements were either borrowed from Bach's earlier ...
428 p.Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2002.Collections of polyphonic ...
This thesis is focused on the musical analysis of the anonymous five-voice mass ordinary Missa super...
Sixteenth-century composers frequently derived settings of the Mass Ordinary from pre-existent music...
The Mass compositions of G. F. Anerio, chapelmaster at king Sigismund III’s court, constitute the pa...
Parody masses based on secular compositions are intriguing due to their employment of profane music ...
The main topic of my thesis is the analysis of the parody technique in the Mass ‘Doctor bonus’ by Gi...
Abstract Although the cantus firmus L’homme armé formed the basis for masses of the Renaissance era,...
Johann Sebastian Bach\u27s Mass in B Minor is not entirely an original work. Eleven of the twenty-fi...
Musical celebrations of the feast of St Cecilia were common in Europe since the fifteenth century an...
Ph.D.MusicUniversity of Michigan, Horace H. Rackham School of Graduate Studieshttp://deepblue.lib.um...