High Level Musical Control of Sound Synthesis in OpenMusic

Etude et réalisation d'opérateurs rythmiques dans OpenMusic, un environnement de programmation appliqué à la composition musicale

Delerue, Olivier

May 1998

cote interne IRCAM: Delerue98a/National audienceEtude et réalisation d'opérateurs rythmiques dans Op...

OpenMusic : de la composition à l'enseignement

Assayag, Gérard
Bresson, Jean

January 2006

cote interne IRCAM: Assayag06eNational audienceOpenMusic, environnement de Composition Assistée par ...

An Object Oriented Visual Environment for Musical Composition

Assayag, Gérard
Agon, Carlos
Fineberg, Joshua
Hanappe, Peter

September 1997

cote interne IRCAM: Assayag97a/National audienceOpenMusic is a visual programming environment for co...

High Level Musical Control of Sound Synthesis in OpenMusic

Carlos Agon Marco
Grard Assayag (ircam

January 2000

new classes have been added to OpenMusic in order to handle the big amount of parameters involved in...

Composition on top of real-time sound synthesis

Hanappe, Peter

May 1998

cote interne IRCAM: Hanappe98a/National audienceComposition on top of real-time sound synthesi

Symbolic Control of Sound Synthesis in Computer-Assisted Composition

Bresson, Jean
Stroppa, Marco
Agon, Carlos

September 2005

cote interne IRCAM: Bresson05aNone / NoneNational audienceThis paper presents current works and futu...

The Control of the CHANT Synthesizer in OpenMusic: Modelling Continuous Aspects in Sound Synthesis

Bresson, Jean
Stroppa, Marco

January 2011

cote interne IRCAM: Bresson11bNone / NoneNational audienceThe specific model and control paradigm of...

Sound Analysis, processing and synthesis tools for music research and production

Rodet, Xavier

September 2000

cote interne IRCAM: Rodet00aNone / NoneNational audienceSound Analysis, processing and synthesis too...

Objects, Time and Constraints in OpenMusic

Agon, Carlos
Assayag, Gérard
Delerue, Olivier
Rueda, Camilo

October 1998

cote interne IRCAM: Agon98aNone / NoneNational audienceObjects, Time and Constraints in OpenMusi

Object-Oriented Programming in OpenMusic

Agon, Carlos
Assayag, Gérard

January 2002

cote interne IRCAM: Agon02cNone / NoneNational audienceObject-Oriented Programming in OpenMusi

Modular Musical Objects Towards Embodied Control Of Digital Music

Rasamimanana, Nicolas
Bevilacqua, Frédéric
Schnell, Norbert
Guedy,, Fabrice
Flety, Emmanuel
Zamborlin, Bruno
Maestracci, Côme
Frechin, Jean-Louis
Petrevsky, Uros

January 2011

cote interne IRCAM: Rasamimanana11aNational audienceModular Musical Objects Towards Embodied Control...

Computer Assisted Composition at Ircam: PatchWork & OpenMusic

Agon, Carlos
Assayag, Gérard
Laurson, Mikael
Rueda, Camilo

January 1999

cote interne IRCAM: Agon99aNone / NoneNational audience(Introduction) Although one may consider musi...

Computer Assisted Composition at Ircam : PatchWork & OpenMusic

Agon, Carlos
Assayag, Gérard
Laurson, Mikael
Rueda, Camilo

January 1999

cote interne IRCAM: Agon99aNone / NoneNational audience(Introduction) Although one may consider musi...

Generation and Representation of Data and Events for the Control of Sound Synthesis

Bresson, Jean
Stroppa, Marco
Agon, Carlos

July 2007

cote interne IRCAM: Bresson07bNone / NoneNational audienceThis article presents a system created in ...

Sound and music control using haptic and visual feedback in the PHASE installation

Rodet, Xavier
Lambert, Jean-Philippe
Cahen, Roland
Gaudy, Thomas
Gosselin, Florian
Guédy, Fabrice
Mobuchon, Pascal

January 2005

cote interne IRCAM: Rodet05bNone / NoneNational audienceSound and music control using haptic and vis...

Etude et réalisation d'opérateurs rythmiques dans OpenMusic, un environnement de programmation appliqué à la composition musicale

Delerue, Olivier

May 1998

cote interne IRCAM: Delerue98a/National audienceEtude et réalisation d'opérateurs rythmiques dans Op...

OpenMusic : de la composition à l'enseignement

Assayag, Gérard
Bresson, Jean

January 2006

cote interne IRCAM: Assayag06eNational audienceOpenMusic, environnement de Composition Assistée par ...

An Object Oriented Visual Environment for Musical Composition

Assayag, Gérard
Agon, Carlos
Fineberg, Joshua
Hanappe, Peter

September 1997

cote interne IRCAM: Assayag97a/National audienceOpenMusic is a visual programming environment for co...

High Level Musical Control of Sound Synthesis in OpenMusic

Carlos Agon Marco
Grard Assayag (ircam

January 2000

new classes have been added to OpenMusic in order to handle the big amount of parameters involved in...

Composition on top of real-time sound synthesis

Hanappe, Peter

May 1998

cote interne IRCAM: Hanappe98a/National audienceComposition on top of real-time sound synthesi

Symbolic Control of Sound Synthesis in Computer-Assisted Composition

Bresson, Jean
Stroppa, Marco
Agon, Carlos

September 2005

cote interne IRCAM: Bresson05aNone / NoneNational audienceThis paper presents current works and futu...

The Control of the CHANT Synthesizer in OpenMusic: Modelling Continuous Aspects in Sound Synthesis

Bresson, Jean
Stroppa, Marco

January 2011

cote interne IRCAM: Bresson11bNone / NoneNational audienceThe specific model and control paradigm of...

Sound Analysis, processing and synthesis tools for music research and production

Rodet, Xavier

September 2000

cote interne IRCAM: Rodet00aNone / NoneNational audienceSound Analysis, processing and synthesis too...

Objects, Time and Constraints in OpenMusic

Agon, Carlos
Assayag, Gérard
Delerue, Olivier
Rueda, Camilo

October 1998

cote interne IRCAM: Agon98aNone / NoneNational audienceObjects, Time and Constraints in OpenMusi

Object-Oriented Programming in OpenMusic

Agon, Carlos
Assayag, Gérard

January 2002

cote interne IRCAM: Agon02cNone / NoneNational audienceObject-Oriented Programming in OpenMusi

Modular Musical Objects Towards Embodied Control Of Digital Music

Rasamimanana, Nicolas
Bevilacqua, Frédéric
Schnell, Norbert
Guedy,, Fabrice
Flety, Emmanuel
Zamborlin, Bruno
Maestracci, Côme
Frechin, Jean-Louis
Petrevsky, Uros

January 2011

cote interne IRCAM: Rasamimanana11aNational audienceModular Musical Objects Towards Embodied Control...

Computer Assisted Composition at Ircam: PatchWork & OpenMusic

Agon, Carlos
Assayag, Gérard
Laurson, Mikael
Rueda, Camilo

January 1999

cote interne IRCAM: Agon99aNone / NoneNational audience(Introduction) Although one may consider musi...

Computer Assisted Composition at Ircam : PatchWork & OpenMusic

Agon, Carlos
Assayag, Gérard
Laurson, Mikael
Rueda, Camilo

January 1999

cote interne IRCAM: Agon99aNone / NoneNational audience(Introduction) Although one may consider musi...

Generation and Representation of Data and Events for the Control of Sound Synthesis

Bresson, Jean
Stroppa, Marco
Agon, Carlos

July 2007

cote interne IRCAM: Bresson07bNone / NoneNational audienceThis article presents a system created in ...

Sound and music control using haptic and visual feedback in the PHASE installation

Rodet, Xavier
Lambert, Jean-Philippe
Cahen, Roland
Gaudy, Thomas
Gosselin, Florian
Guédy, Fabrice
Mobuchon, Pascal

January 2005

cote interne IRCAM: Rodet05bNone / NoneNational audienceSound and music control using haptic and vis...

Etude et réalisation d'opérateurs rythmiques dans OpenMusic, un environnement de programmation appliqué à la composition musicale

Delerue, Olivier

May 1998

cote interne IRCAM: Delerue98a/National audienceEtude et réalisation d'opérateurs rythmiques dans Op...

OpenMusic : de la composition à l'enseignement

Assayag, Gérard
Bresson, Jean

January 2006

cote interne IRCAM: Assayag06eNational audienceOpenMusic, environnement de Composition Assistée par ...

An Object Oriented Visual Environment for Musical Composition

Assayag, Gérard
Agon, Carlos
Fineberg, Joshua
Hanappe, Peter

September 1997

cote interne IRCAM: Assayag97a/National audienceOpenMusic is a visual programming environment for co...

High Level Musical Control of Sound Synthesis in OpenMusic

Abstract

Extracted data

High Level Musical Control of Sound Synthesis in OpenMusic

Abstract

Extracted data

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