International audienceFollowing the repatriation of the Potlatch Collection confiscated by the Canadian government in 1922 to the Kwakwaka'wakw at the end of 1970s by the Canadian government, two local museums were built, the Kwagiulth Museum in Cape Mudge and the U'Mista Cultural Centre in Alert Bay. The article examines how each museum present the history of the potlatch during the colonial period and their approach regarding the access to collections, the implementation of the educational programs. Both museums are concerned with the reconstitution of what they judge to be the "traditional" context of the confiscated pieces and address themselves both to a local and a larger audience
This thesis is an examination of the representation of First Nations cultures at the Glenbow Museum ...
Museums contribution to the European colonial project was and is still criticized. In the context of...
Debate erupted in the Canadian museum world of the mid-1980s in response to a contentious exhibition...
International audienceFollowing the repatriation of the Potlatch Collection confiscated by the Cana...
In 1921, the Canadian government confiscated over 400 pieces of Kwakwaka’wakw potlatch regalia and p...
In 1921, the Canadian government confiscated over 400 pieces of Kwakwaka’wakw potlatch regalia and p...
Comments about the repatriation of Indigenous cultural belongings and reconciliation with Indigenous...
In aiming to dispossess Indigenous peoples from their land and destroy their cultures, settler colon...
Since the 1980s, museum professionals have increasingly committed to sharing collections with the de...
International audienceMuseums contribution to the European colonial project was and is still critici...
International audienceThis article examines the evolution of the relations between Canadian museums ...
In order to illustrate why museums are frequently sites of conflict and mediation, this dissertatio...
International audienceThis essay deals with the prohibition of the potlatch in Bristish Columbia sin...
In 1992, when this dissertation was completed, Canadian museums (among many others) were in a state ...
In order to illustrate why museums are frequently sites of conflict and mediation, this dissertatio...
This thesis is an examination of the representation of First Nations cultures at the Glenbow Museum ...
Museums contribution to the European colonial project was and is still criticized. In the context of...
Debate erupted in the Canadian museum world of the mid-1980s in response to a contentious exhibition...
International audienceFollowing the repatriation of the Potlatch Collection confiscated by the Cana...
In 1921, the Canadian government confiscated over 400 pieces of Kwakwaka’wakw potlatch regalia and p...
In 1921, the Canadian government confiscated over 400 pieces of Kwakwaka’wakw potlatch regalia and p...
Comments about the repatriation of Indigenous cultural belongings and reconciliation with Indigenous...
In aiming to dispossess Indigenous peoples from their land and destroy their cultures, settler colon...
Since the 1980s, museum professionals have increasingly committed to sharing collections with the de...
International audienceMuseums contribution to the European colonial project was and is still critici...
International audienceThis article examines the evolution of the relations between Canadian museums ...
In order to illustrate why museums are frequently sites of conflict and mediation, this dissertatio...
International audienceThis essay deals with the prohibition of the potlatch in Bristish Columbia sin...
In 1992, when this dissertation was completed, Canadian museums (among many others) were in a state ...
In order to illustrate why museums are frequently sites of conflict and mediation, this dissertatio...
This thesis is an examination of the representation of First Nations cultures at the Glenbow Museum ...
Museums contribution to the European colonial project was and is still criticized. In the context of...
Debate erupted in the Canadian museum world of the mid-1980s in response to a contentious exhibition...