Add to ORKGThis workshop explores how the imagination can be used to flesh out strengthen physical choices using the entirety of the performer\u27s body
The role of body movement in creating and communicating music, and in conveying extra-musical meanin...
Visitors interact with a blindfolded artist's body, the motions of which are tracked and translated ...
The discourse surrounding intangible materials in interaction design is often directed toward compu...
This workshop explores the movement potential of the actor from gestures to full body movement by fo...
I presented this workshop for students and faculty exploring the creation of material generated by t...
Jan Schacher asks what it is to imagine and initiate an action on a musical instrument. For Schacher...
International audienceIn the last 4 years, we have developed a partnership between dance and neurosc...
With current state-of-the-art human movement tracking techology it is possible to represent in real-...
In dance, there are three components that stir our imagination: the movement of our body or the move...
We detect human body movement interactively via a tracking sys-tem. This data is used to synthesize ...
We present approaches for teaching and designing embodied interaction in collaboration with a contem...
There can be no doubt that we often experience correspondences between different sense modalities in...
Musicians use different kinds of imagery. This review focuses on kinesthetic imagery, which has been...
Over the last five years I have been investigating the phenomenon of movement sonification and diffe...
Abstract: Sound-producing body motion and associated body postures shape musical sound in interactio...
The role of body movement in creating and communicating music, and in conveying extra-musical meanin...
Visitors interact with a blindfolded artist's body, the motions of which are tracked and translated ...
The discourse surrounding intangible materials in interaction design is often directed toward compu...
This workshop explores the movement potential of the actor from gestures to full body movement by fo...
I presented this workshop for students and faculty exploring the creation of material generated by t...
Jan Schacher asks what it is to imagine and initiate an action on a musical instrument. For Schacher...
International audienceIn the last 4 years, we have developed a partnership between dance and neurosc...
With current state-of-the-art human movement tracking techology it is possible to represent in real-...
In dance, there are three components that stir our imagination: the movement of our body or the move...
We detect human body movement interactively via a tracking sys-tem. This data is used to synthesize ...
We present approaches for teaching and designing embodied interaction in collaboration with a contem...
There can be no doubt that we often experience correspondences between different sense modalities in...
Musicians use different kinds of imagery. This review focuses on kinesthetic imagery, which has been...
Over the last five years I have been investigating the phenomenon of movement sonification and diffe...
Abstract: Sound-producing body motion and associated body postures shape musical sound in interactio...
The role of body movement in creating and communicating music, and in conveying extra-musical meanin...
Visitors interact with a blindfolded artist's body, the motions of which are tracked and translated ...
The discourse surrounding intangible materials in interaction design is often directed toward compu...