Add to ORKGOn reviewing this piece, I was hesitant as to whether it should be treated as an essay of images with an accompanying artist statement, or as an essay on the creative process using a case study - the writer’s own practice - to illustrate. Essentially I believe it to be both, which is why I shall refer to the author as the writer/artist, and will argue that one or the other line of inquiry be taken to add strength to what is an interesting investigation
Situating myself as a visual artist with a multi-modal practice, this article will explore the relat...
This thesis considers the critical possibilities of aesthetic experience in a contemporary context, ...
I propose that the conventions of academia may subject the various practices and practitioners of co...
This piece of written thinking both fascinates and frustrates me. The subject is interesting and the...
In appreciation for the thorough work of the reviewers and the important reflections each brought to...
A principal question I continue to address in my research is an examination of the cross-over betwee...
In lieu of an abstract, below is the essay\u27s first paragraph. In any art, the artist faces the p...
This article takes the issue of epistemology in writing for (performance) art to ask: ‘What is the v...
A painter retraces the steps he took in making one of his paintings from beginning to end. Rather th...
The purpose of this paper is to discuss briefly the creative process in relation to the writer's the...
In lieu of an abstract, below is the essay\u27s first paragraph. in which a poet vainly seeks inspi...
The essay sheds light on relevant questions for a student at the Royal Institute of Art. The questio...
In this article, we explore artistic research methods by committing ourselves to writing in a sense ...
Beginning with Montaigne’s essayistic dictum Que sais je? — ‘What do I know?’ — this PhD thesis exam...
In this essay, the painter Paulo Pasta seeks to tell a story from within his own work; that is, from...
Situating myself as a visual artist with a multi-modal practice, this article will explore the relat...
This thesis considers the critical possibilities of aesthetic experience in a contemporary context, ...
I propose that the conventions of academia may subject the various practices and practitioners of co...
This piece of written thinking both fascinates and frustrates me. The subject is interesting and the...
In appreciation for the thorough work of the reviewers and the important reflections each brought to...
A principal question I continue to address in my research is an examination of the cross-over betwee...
In lieu of an abstract, below is the essay\u27s first paragraph. In any art, the artist faces the p...
This article takes the issue of epistemology in writing for (performance) art to ask: ‘What is the v...
A painter retraces the steps he took in making one of his paintings from beginning to end. Rather th...
The purpose of this paper is to discuss briefly the creative process in relation to the writer's the...
In lieu of an abstract, below is the essay\u27s first paragraph. in which a poet vainly seeks inspi...
The essay sheds light on relevant questions for a student at the Royal Institute of Art. The questio...
In this article, we explore artistic research methods by committing ourselves to writing in a sense ...
Beginning with Montaigne’s essayistic dictum Que sais je? — ‘What do I know?’ — this PhD thesis exam...
In this essay, the painter Paulo Pasta seeks to tell a story from within his own work; that is, from...
Situating myself as a visual artist with a multi-modal practice, this article will explore the relat...
This thesis considers the critical possibilities of aesthetic experience in a contemporary context, ...
I propose that the conventions of academia may subject the various practices and practitioners of co...