CORDIS-ANIMA is a general system for designing and simulating physical models made of modules that represent simple material elements and physical interactions. This system is implemented in a software environment for musical creation, GENESIS, which addresses sound synthesis as well as musical composition. In this thesis, we propose a general organization of musical CORDIS-ANIMA models, by identifying the elementary functions that are realized within a model, the types of physical components associated to these functions, and the main modelling techniques, which enable to obtain musically relevant physical behaviours. This work forms the conceptual basis of an Instrumentarium for musical creation using CORDIS-ANIMA, i.e. a structured and c...
Paper 3 - Audio Synthesis (Oral Presentations)International audienceIn this paper, we present the fi...
In an instrument such as the piano, the coupling phenomena between the vibrating structures (the str...
Colloque C5 (3ème Congrés français d'acoustique) - Supplément au Journal de Physique IIINational aud...
CORDIS-ANIMA is a general system for designing and simulating physical models made of modules that r...
International audiencePhysical modelling of musical instrument offers wide and rich possibilities fo...
International audienceIn this paper, we will quickly introduce the tools we developed in our laborat...
International audienceIn 1979, ACROE introduced the principle of physical modeling in the field of m...
Abstract. This thesis proposes the use of CORDIS-ANIMA physical modeling formalism as a mean of desi...
International audiencePracticing physical modeling leads to reconsider the relationship with the mus...
La synthèse pour par modèles physiques propose une approche à de la création musicale alternative à ...
International audienceMass-interaction physical modeling scheme is often cited as the traditional ph...
International audienceCORDIS-ANIMA is a digital, real-time, object modeling and simulation system. T...
International audienceThe multisensorial and retroactive simulation technique of physical objects, a...
Notre propos se concentre sur les méthodes d’analyse et de modélisation pour l’analyse dédiées aux r...
Abstract — In this paper we present the first results of a study that is carried out with the sound ...
Paper 3 - Audio Synthesis (Oral Presentations)International audienceIn this paper, we present the fi...
In an instrument such as the piano, the coupling phenomena between the vibrating structures (the str...
Colloque C5 (3ème Congrés français d'acoustique) - Supplément au Journal de Physique IIINational aud...
CORDIS-ANIMA is a general system for designing and simulating physical models made of modules that r...
International audiencePhysical modelling of musical instrument offers wide and rich possibilities fo...
International audienceIn this paper, we will quickly introduce the tools we developed in our laborat...
International audienceIn 1979, ACROE introduced the principle of physical modeling in the field of m...
Abstract. This thesis proposes the use of CORDIS-ANIMA physical modeling formalism as a mean of desi...
International audiencePracticing physical modeling leads to reconsider the relationship with the mus...
La synthèse pour par modèles physiques propose une approche à de la création musicale alternative à ...
International audienceMass-interaction physical modeling scheme is often cited as the traditional ph...
International audienceCORDIS-ANIMA is a digital, real-time, object modeling and simulation system. T...
International audienceThe multisensorial and retroactive simulation technique of physical objects, a...
Notre propos se concentre sur les méthodes d’analyse et de modélisation pour l’analyse dédiées aux r...
Abstract — In this paper we present the first results of a study that is carried out with the sound ...
Paper 3 - Audio Synthesis (Oral Presentations)International audienceIn this paper, we present the fi...
In an instrument such as the piano, the coupling phenomena between the vibrating structures (the str...
Colloque C5 (3ème Congrés français d'acoustique) - Supplément au Journal de Physique IIINational aud...