The focus of this article will be on what I call DMCA 2.0. It will begin by discussing the Digital Millennium Copyright Act (DMCA) and why that statute, passed in 1998 to shore up the enforceability of copyright online by protecting content providers’ ability to engage in forms of technological self-help against online copyright infringers, has been problematic. Part II describes largely unsuccessful efforts in the form of statutes and trade agreements to shore up the DMCA. Part III turns to the latest salvo, the adoption of “voluntary agreements” whereby content owners and ISPs, in particular social media platforms, join forces to stem infringement. The final section lays out the difficulties with the voluntary solution and suggests that l...
Social media is a pervasive and ever-present aspect of many peoples’ lives. Its use permeates nearly...
Much has been written about the free speech quasi-jurisprudence being developed by social media plat...
The article aims to depict the evolution and the state of online distribution and assess to what ext...
Copyright law in America, in its current stage of development, does not sit well with common social ...
1998 ended with voluminous copyright legislation, pompously titled the Digital Millennium Copyright...
This Article explores the potential displacement of substantive copyright law in the increasingly im...
No longer does it seem that a copyright infringer is anyone who violates any of the exclusive right...
The recent agreement between big media companies and big Internet service providers (ISPs) concernin...
Web 2.0 has generated a surplus of creativity, encouraging innovation of new technologies and furthe...
Copyright infringement is commonly perceived as a private economic transgression, typically addresse...
There is no denying that social media has taken over our society. Even those who are not well versed...
In 1998, Congress passed the Digital Millennium Copyright Act. This law provided new methods of prot...
Digital technology and innovation acutely impact copyright law. This article describes the delicate ...
In 1998, Congress passed the Digital Millennium Copyright Act in an attempt to address the prolifera...
This article outlines the way in which the rise of digital technologies and online social networks h...
Social media is a pervasive and ever-present aspect of many peoples’ lives. Its use permeates nearly...
Much has been written about the free speech quasi-jurisprudence being developed by social media plat...
The article aims to depict the evolution and the state of online distribution and assess to what ext...
Copyright law in America, in its current stage of development, does not sit well with common social ...
1998 ended with voluminous copyright legislation, pompously titled the Digital Millennium Copyright...
This Article explores the potential displacement of substantive copyright law in the increasingly im...
No longer does it seem that a copyright infringer is anyone who violates any of the exclusive right...
The recent agreement between big media companies and big Internet service providers (ISPs) concernin...
Web 2.0 has generated a surplus of creativity, encouraging innovation of new technologies and furthe...
Copyright infringement is commonly perceived as a private economic transgression, typically addresse...
There is no denying that social media has taken over our society. Even those who are not well versed...
In 1998, Congress passed the Digital Millennium Copyright Act. This law provided new methods of prot...
Digital technology and innovation acutely impact copyright law. This article describes the delicate ...
In 1998, Congress passed the Digital Millennium Copyright Act in an attempt to address the prolifera...
This article outlines the way in which the rise of digital technologies and online social networks h...
Social media is a pervasive and ever-present aspect of many peoples’ lives. Its use permeates nearly...
Much has been written about the free speech quasi-jurisprudence being developed by social media plat...
The article aims to depict the evolution and the state of online distribution and assess to what ext...