Add to ORKGThis is the introductory essay for the edited volume "Exhibiting the Analogue / Exhibiting the Digital: afterthoughts on an exhibition". It places the exhibition within appropriate context and sets the rationale for the texts that follow
Dette indlæg er hentet fra en tidligere udgave af "Learning OJS 3 - A Visual Guide to Open Journal S...
This is a chapter of conversations, thoughts, and images that have arisen from within the choreograp...
Roderick Mills graduated with a Masters in Communication Art & Design from the RCA in 2001. Spec...
We offer a framework for assessing what the structure of episodic memory might be, if one accepts th...
Artists’ books have evolved over the last sixty years into a significant, international contemporary...
The output is an artefact comprising an artist’s book. It was developed from a performance, initiall...
Material arts, craft-based practices, digital processes and technological constructs influence, sup...
In this short paper I examine the role of history-of-science based arguments against realism in the ...
This essay examines the difficulties faced by the claim that artworks are simple physical objects (o...
Book section in book mapping Freee art collective recent practice. Editorial section and interview w...
This article considers the mediating role of digital photography for eliciting embodied and dialogic...
The artist’s “4 New Paintings” continues – or perhaps expands – on a text she wrote in 2010, “I Choo...
At a time when digital media is regarded as orthodoxy in education, in advanced global economies the...
During the current conservation of the Ghent Altarpiece, carried out by a team of KIK-IRPA, a large ...
Being a part of an architectural whole, an architectural fragment has various potentials; one is dir...
Dette indlæg er hentet fra en tidligere udgave af "Learning OJS 3 - A Visual Guide to Open Journal S...
This is a chapter of conversations, thoughts, and images that have arisen from within the choreograp...
Roderick Mills graduated with a Masters in Communication Art & Design from the RCA in 2001. Spec...
We offer a framework for assessing what the structure of episodic memory might be, if one accepts th...
Artists’ books have evolved over the last sixty years into a significant, international contemporary...
The output is an artefact comprising an artist’s book. It was developed from a performance, initiall...
Material arts, craft-based practices, digital processes and technological constructs influence, sup...
In this short paper I examine the role of history-of-science based arguments against realism in the ...
This essay examines the difficulties faced by the claim that artworks are simple physical objects (o...
Book section in book mapping Freee art collective recent practice. Editorial section and interview w...
This article considers the mediating role of digital photography for eliciting embodied and dialogic...
The artist’s “4 New Paintings” continues – or perhaps expands – on a text she wrote in 2010, “I Choo...
At a time when digital media is regarded as orthodoxy in education, in advanced global economies the...
During the current conservation of the Ghent Altarpiece, carried out by a team of KIK-IRPA, a large ...
Being a part of an architectural whole, an architectural fragment has various potentials; one is dir...
Dette indlæg er hentet fra en tidligere udgave af "Learning OJS 3 - A Visual Guide to Open Journal S...
This is a chapter of conversations, thoughts, and images that have arisen from within the choreograp...
Roderick Mills graduated with a Masters in Communication Art & Design from the RCA in 2001. Spec...