This presentation explores the contradictions in the use of 'creativity' as a tool of economic development. The past two decades have seen the rise of concepts such as the "experience economy" and the "creative oriented urban development". Culture has been re-configured in the political sense from a sector that draws on surplus production into a sector that creates economic value. The paper notes that the mass commercialisation of culture and the co-optation of the rebellious aspects of creativity for profitable gain can be traced at least as far back as the 1960s CE. What is evident more recently, as the examples given demonstrate, is an ever more accelerated and economically diverging phenomenon in which creative workers continue to be ...
Although Creative Industries as engines of post-industrial economies have assumed an increasing glob...
This chapter draws on research and scholarship into the experience of creative labour to reflect on ...
In 1901, GK Chesterton, in a defence of “penny dreadfuls”, the commercial writing of the time, criti...
This paper explores articulations of the value of investment in culture and the arts through a crit...
Summary. Since the 1980s, the cultural industries have gained a key role in strategies to deal with ...
From critics and cultural commentators to professionals who mediate between production and consumpti...
From critics and cultural commentators to professionals who mediate between production and consumpti...
The following work constitutes an inquiry into the economic, social and political composition of wha...
This article focuses on the role of creative labour, which has figured prominently in narratives of ...
One of the besetting sins of creative industries policy-making is its obsession with the new, its in...
Cultural Industries - The British Experience in International Perspective, Cultural Industries, 02.0...
‘Creative industries’ and ‘cultural industries’ are terms that tend to be used interchangeably by UK...
Creative Industries was adopted as a platform in the 90s by the Blair government in the UK to descri...
In the present papers, the authors analyse the new phenomenon in the global economy, which is creati...
There is a tension at the heart of contemporary discussions of ‘creative’ labour. On the one hand, t...
Although Creative Industries as engines of post-industrial economies have assumed an increasing glob...
This chapter draws on research and scholarship into the experience of creative labour to reflect on ...
In 1901, GK Chesterton, in a defence of “penny dreadfuls”, the commercial writing of the time, criti...
This paper explores articulations of the value of investment in culture and the arts through a crit...
Summary. Since the 1980s, the cultural industries have gained a key role in strategies to deal with ...
From critics and cultural commentators to professionals who mediate between production and consumpti...
From critics and cultural commentators to professionals who mediate between production and consumpti...
The following work constitutes an inquiry into the economic, social and political composition of wha...
This article focuses on the role of creative labour, which has figured prominently in narratives of ...
One of the besetting sins of creative industries policy-making is its obsession with the new, its in...
Cultural Industries - The British Experience in International Perspective, Cultural Industries, 02.0...
‘Creative industries’ and ‘cultural industries’ are terms that tend to be used interchangeably by UK...
Creative Industries was adopted as a platform in the 90s by the Blair government in the UK to descri...
In the present papers, the authors analyse the new phenomenon in the global economy, which is creati...
There is a tension at the heart of contemporary discussions of ‘creative’ labour. On the one hand, t...
Although Creative Industries as engines of post-industrial economies have assumed an increasing glob...
This chapter draws on research and scholarship into the experience of creative labour to reflect on ...
In 1901, GK Chesterton, in a defence of “penny dreadfuls”, the commercial writing of the time, criti...