Doomsday America: The Pessimistic Turn of Post-9/11 Apocalyptic Cinema

In this article we discuss the cycle of apocalypse films released in the aftermath of the attacks of 11 September 2001, examining the ways in which they conveyed a variety of post-9/11 fears and concerns around issues such as the War on Terror, American imperialism and the environment. In particular, we will trace the continuities and discontinuities with similar disaster/apocalyptic films released in the late 1990s, tracking the representations of four thematic elements that permeate through both pre-millennium and post-9/11 apocalyptic Hollywood cinema: the representation of the apocalypse; the role of human agency as saviour; the role of religion; and socio-political commentary made by the films. In doing so, we argue that cinematic representations of the apocalypse have been much more pessimistic post-9/11, thus demonstrating that Hollywood science fiction, or ‘‘sci-fi,’’ can facilitate wider sociopolitical concerns while continuing to provide the expected spectacular, audio-visual displays