This chapter examines censorship in pre-unification Italy by focusing on opera composer Giuseppe Verdi. Before explaining how Verdi’s thorough involvement in the creative process of his works makes him a central figure in the discourse on censorship of the period, the chapter analyzes what he meant when he wrote the words “From Nabucco onward I haven’t had, one can say, an hour of peace. Sixteen years in prison!” in a May 12, 1858 letter to his close friend, the Milanese countess Clarina Maffei. More specifically, it discusses the censorship of some of his operas, including Rigoletto and Un ballo in maschera, and its musical implications. It also considers Verdi’s reactions to the censorship of several of his work
A relatively long letter from Giuseppe Verdi to the Florentine vocal director Pietro Romani, reprodu...
Pertunjukan perdana Otello, satu-satunya opera baru Giuseppe Verdi selama lebih dari satu dekade, me...
For more than a century discussions of the relationship between the operatic stage and the socio-pol...
In the effort to show the extent to which the myth-making tendencies of the later 19th century have ...
Christian elements and themes developed rapidly in mid-nineteenth-century Italian culture. This essa...
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London...
The thourough analysis of historical sources from the beginning of the year 1859 shows that the famo...
Despite the vast research on Verdi’s compositional as well as dramatic achievements, little attentio...
Giuseppe Verdi is amongst one of the greatest opera composers of the nineteenth century. Despite his...
Study of the documentation pertaining to the evolution of Verdi's operas from Ernani (1844) to Falst...
On July 10, 1798, the German ensemble at the Vienna court theater presented the premiere performance...
Giuseppe Verdi was an opera composer who revolutionized the Italian opera with his approach to drama...
As art reflects life, so too does it hold a mirror to the lives of the people who create it. The tur...
Teaching opera in prison presents challenges, such as limits imposed on printed and recorded materia...
As we shall see, the two composers can be understood as opposites in many respects. While some super...
A relatively long letter from Giuseppe Verdi to the Florentine vocal director Pietro Romani, reprodu...
Pertunjukan perdana Otello, satu-satunya opera baru Giuseppe Verdi selama lebih dari satu dekade, me...
For more than a century discussions of the relationship between the operatic stage and the socio-pol...
In the effort to show the extent to which the myth-making tendencies of the later 19th century have ...
Christian elements and themes developed rapidly in mid-nineteenth-century Italian culture. This essa...
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London...
The thourough analysis of historical sources from the beginning of the year 1859 shows that the famo...
Despite the vast research on Verdi’s compositional as well as dramatic achievements, little attentio...
Giuseppe Verdi is amongst one of the greatest opera composers of the nineteenth century. Despite his...
Study of the documentation pertaining to the evolution of Verdi's operas from Ernani (1844) to Falst...
On July 10, 1798, the German ensemble at the Vienna court theater presented the premiere performance...
Giuseppe Verdi was an opera composer who revolutionized the Italian opera with his approach to drama...
As art reflects life, so too does it hold a mirror to the lives of the people who create it. The tur...
Teaching opera in prison presents challenges, such as limits imposed on printed and recorded materia...
As we shall see, the two composers can be understood as opposites in many respects. While some super...
A relatively long letter from Giuseppe Verdi to the Florentine vocal director Pietro Romani, reprodu...
Pertunjukan perdana Otello, satu-satunya opera baru Giuseppe Verdi selama lebih dari satu dekade, me...
For more than a century discussions of the relationship between the operatic stage and the socio-pol...