William Hazlitt is associated as much with canonical as ephemeral forms of culture. This article places his consideration of a new category, 'the living poets', who hovered between canonical security and ephemerality. Hazlitt points to the creative vitality of an age, the late Romantic period, in which poets felt unusually conscious of their place in a living moment that would, some day, become literary history
This is an Accepted Manuscript of an article published by Taylor & Francis in Scrutiny2: issues in E...
Simply paying attention guarantees the transformation from a nature supposedly asleep to the work th...
Original article can be found at: http://www.erudit.org/revue/ravon/apropos.htmlAlthough criticism h...
‘An old lady, to whom Pope one day read some passages out of Spenser’s “Faerie Queene,” said that h...
Struck by the coincidence of the bicentenaries in 2012 of Edward Lear, Robert Browning and Charles D...
Hazlitt was a man of letters who developed his career in the late eighteenth and early nineteenth ce...
“Sensation Poetry and Social Imagination” unearths a vital but forgotten chapter in the history of B...
This essay assesses William Hazlitt’s appreciation of William Hogarth not only as painter and engrav...
This paper surveys some of the anxieties poets felt in the mid eighteenth-century about the future o...
To date, there has been very little sociological research on the field of poetry, and even less on t...
The purpose of writing this essay is to make an observational decision about where the future of poe...
AbstractWilliam Hazlitt and the Uses of KnowledgebyPatricia Anne PelfreyDoctor of Philosophy in Engl...
William Hazlitt frankly declared his critical writings to be nothing other than the expression of hi...
“We are the music makers, and we are the dreamers of dreams…” These lines begin an “Ode” which has p...
Many Romantic poets were fascinated by the idea that a special “historical sense” could hear the cu...
This is an Accepted Manuscript of an article published by Taylor & Francis in Scrutiny2: issues in E...
Simply paying attention guarantees the transformation from a nature supposedly asleep to the work th...
Original article can be found at: http://www.erudit.org/revue/ravon/apropos.htmlAlthough criticism h...
‘An old lady, to whom Pope one day read some passages out of Spenser’s “Faerie Queene,” said that h...
Struck by the coincidence of the bicentenaries in 2012 of Edward Lear, Robert Browning and Charles D...
Hazlitt was a man of letters who developed his career in the late eighteenth and early nineteenth ce...
“Sensation Poetry and Social Imagination” unearths a vital but forgotten chapter in the history of B...
This essay assesses William Hazlitt’s appreciation of William Hogarth not only as painter and engrav...
This paper surveys some of the anxieties poets felt in the mid eighteenth-century about the future o...
To date, there has been very little sociological research on the field of poetry, and even less on t...
The purpose of writing this essay is to make an observational decision about where the future of poe...
AbstractWilliam Hazlitt and the Uses of KnowledgebyPatricia Anne PelfreyDoctor of Philosophy in Engl...
William Hazlitt frankly declared his critical writings to be nothing other than the expression of hi...
“We are the music makers, and we are the dreamers of dreams…” These lines begin an “Ode” which has p...
Many Romantic poets were fascinated by the idea that a special “historical sense” could hear the cu...
This is an Accepted Manuscript of an article published by Taylor & Francis in Scrutiny2: issues in E...
Simply paying attention guarantees the transformation from a nature supposedly asleep to the work th...
Original article can be found at: http://www.erudit.org/revue/ravon/apropos.htmlAlthough criticism h...