Practitioners, audiences and critics are often dismissive of political comedy’s impact. It is argued that audiences only attend political performances if they already agree with the performer; further, that audiences will not laugh at ideas that they find too subversive. As laughter depends upon consensus and success depends upon laughter, the comedian “merely” preaches to the converted. This article challenges these assumptions by examining the diverse strategies of two political comedians: Mark Thomas and Stewart Lee. Through analysis of performance, and their methodology and intent as related in practitioner interviews, I demonstrate that the nature of consensus in political comedy is more complex than has generally been supposed. Far fr...
This article develops a critical engagement with the politics of British satire. After first engagin...
Where does the political comedian fit on the spectrum of societal debate? Comedy has gained legitima...
This thesis interprets the craft of stand-up comedy as a senes of manipulations. In a medium where i...
Political humor is ubiquitous in some contexts and forbidden in others, and yet scholars have descri...
This study examines the discourses of the U.S.\u27s 10 top-earning comedians in 2009 and 2010 throug...
Like all forms of resistance, comedy can both shore up and legitimate existing political structures,...
The importance of comedy as a mode of political communication is widely recognized, and the correlat...
Research into political satire programs show that they can be informative in the same way traditiona...
Since the 1970’s, stand-up comedy has been a prominent part of society. Stand-up comedy has grown an...
International audiencePolitical parody, which is entitled to free speech protection under the First ...
This small scale study or pilot case looks into how studio audiences participate; as well as how we ...
Funny, lively and unpredictable, stand-up comedy is above all a medium to be enjoyed. Popular as a g...
This thesis examines the relationship between late-night comedy news shows and their audiences, in t...
Political comedy in various forms is increasingly popular among media audiences, directing scholarly...
This paper discusses some political implications of humor, using as a point of departure the mechani...
This article develops a critical engagement with the politics of British satire. After first engagin...
Where does the political comedian fit on the spectrum of societal debate? Comedy has gained legitima...
This thesis interprets the craft of stand-up comedy as a senes of manipulations. In a medium where i...
Political humor is ubiquitous in some contexts and forbidden in others, and yet scholars have descri...
This study examines the discourses of the U.S.\u27s 10 top-earning comedians in 2009 and 2010 throug...
Like all forms of resistance, comedy can both shore up and legitimate existing political structures,...
The importance of comedy as a mode of political communication is widely recognized, and the correlat...
Research into political satire programs show that they can be informative in the same way traditiona...
Since the 1970’s, stand-up comedy has been a prominent part of society. Stand-up comedy has grown an...
International audiencePolitical parody, which is entitled to free speech protection under the First ...
This small scale study or pilot case looks into how studio audiences participate; as well as how we ...
Funny, lively and unpredictable, stand-up comedy is above all a medium to be enjoyed. Popular as a g...
This thesis examines the relationship between late-night comedy news shows and their audiences, in t...
Political comedy in various forms is increasingly popular among media audiences, directing scholarly...
This paper discusses some political implications of humor, using as a point of departure the mechani...
This article develops a critical engagement with the politics of British satire. After first engagin...
Where does the political comedian fit on the spectrum of societal debate? Comedy has gained legitima...
This thesis interprets the craft of stand-up comedy as a senes of manipulations. In a medium where i...