Two studies investigated whether speaking mode influences the way German speakers mark the information status of discourse referents in nuclear position. In Study 1, speakers produced narrations spontaneously on the basis of picture stories in which the information status of referents (new, accessible and given) was systematically varied. In Study 2, speakers saw the same pictures, but this time accompanied by text to be read out. Clear differences were found depending on speaking mode: In spontaneous speech, speakers always accented new referents. They did not use different pitch accent types to differentiate between new and accessible referents, nor did they always deaccent given referents. In addition, speakers often made use of low pitc...
This thesis addresses the cognitive foundations of categorization and acquisition of intonational ca...
Adopting an eyetracking paradigm, we investigated the role of H*L, L*HL, L*H, H*LH, and deaccentuati...
The present study set out to pin down the role of four pitch accents, fall (H*L), rise-fall (L*HL), ...
de Ruiter L. Information status marking in spontaneous vs. read speech in story-telling tasks - evid...
de Ruiter L. Information status marking in spontaneous vs. read speech in story-telling tasks - evid...
de Ruiter L. How German children use intonation to signal information status in narrative discourse....
de Ruiter L. How German children use intonation to signal information status in narrative discourse....
This paper reports on findings from an elicited production task with German 5-year-old children, inv...
Herbst L. German 5-year-olds' intonational marking of information status. Presented at the 16th Inte...
This paper reports on findings from an elicited production task with German 5-year-old children, inv...
The management of given and new information is one of the key components of accomplishing coherence ...
Abstract This paper describes intonational cues to discourse structure, and the role that intonation...
In this paper we address the question of whether the intonational marking of discourse referents in ...
Listeners are typically able to identify speech as either being produced spontaneously or read from ...
Listeners are typically able to identify speech as either being produced spontaneously or read from ...
This thesis addresses the cognitive foundations of categorization and acquisition of intonational ca...
Adopting an eyetracking paradigm, we investigated the role of H*L, L*HL, L*H, H*LH, and deaccentuati...
The present study set out to pin down the role of four pitch accents, fall (H*L), rise-fall (L*HL), ...
de Ruiter L. Information status marking in spontaneous vs. read speech in story-telling tasks - evid...
de Ruiter L. Information status marking in spontaneous vs. read speech in story-telling tasks - evid...
de Ruiter L. How German children use intonation to signal information status in narrative discourse....
de Ruiter L. How German children use intonation to signal information status in narrative discourse....
This paper reports on findings from an elicited production task with German 5-year-old children, inv...
Herbst L. German 5-year-olds' intonational marking of information status. Presented at the 16th Inte...
This paper reports on findings from an elicited production task with German 5-year-old children, inv...
The management of given and new information is one of the key components of accomplishing coherence ...
Abstract This paper describes intonational cues to discourse structure, and the role that intonation...
In this paper we address the question of whether the intonational marking of discourse referents in ...
Listeners are typically able to identify speech as either being produced spontaneously or read from ...
Listeners are typically able to identify speech as either being produced spontaneously or read from ...
This thesis addresses the cognitive foundations of categorization and acquisition of intonational ca...
Adopting an eyetracking paradigm, we investigated the role of H*L, L*HL, L*H, H*LH, and deaccentuati...
The present study set out to pin down the role of four pitch accents, fall (H*L), rise-fall (L*HL), ...