Traditional regulation of copyright has recently been criticized from two opposing angles: While copyright holders and industries bemoan insufficient protection of copyrighted material in the digital era of lossless copying and file-sharing, a diverse coalition of dissident copyright lawyers, artists and activists claims that the prevalent copyright regime hinders new forms of content creation and distribution. In this paper, we compare the resource mobilization of industry-led Digital Rights Management (DRM) initiatives and the Creative Commons copyright licenses project. While the former was, despite the resourcefulness of the actors, fraught with collective action problems, the latter was, despite an originally weak resource position, ab...
The actual debate about copyright refers more to the distribution of value produced in industrial ch...
Digital copyright has emerged as a key site of debate and dissent as a generation of consumers accus...
The website Creative Commons went online in December 2002 to counter shifts towards an ‘intellectual...
Traditional regulation of copyright has recently been criticized from two opposing angles: While cop...
Digital rights management (DRM) refers to various technological systems by which copyright holders s...
Following the agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS) intellectua...
Copyright can easily be seen through a lens of conflict. When considering histories of copyright leg...
This article examines copyright's historic trajectory from a common law to a statutory privilege, tu...
This paper was presented at Paper Session 6b: Resistance and Activism. This paper discusses the vary...
Digital technologies permit the wide distribution of perfect copies at virtually no marginal cost. E...
Existing copyright regimes were established in the analogue world to promote a healthy supply of Int...
Digital technology presents ongoing challenges to the traditional copyright model. This paper discus...
A defining characteristic of contemporary copyright law is the willingness of governments to accept ...
Copyright, caught in a digital maelstrom of perpetual reform and shifting commercial practices, exac...
The rapid diffusion of digital technologies since the 1970s has produced significant cultural change...
The actual debate about copyright refers more to the distribution of value produced in industrial ch...
Digital copyright has emerged as a key site of debate and dissent as a generation of consumers accus...
The website Creative Commons went online in December 2002 to counter shifts towards an ‘intellectual...
Traditional regulation of copyright has recently been criticized from two opposing angles: While cop...
Digital rights management (DRM) refers to various technological systems by which copyright holders s...
Following the agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS) intellectua...
Copyright can easily be seen through a lens of conflict. When considering histories of copyright leg...
This article examines copyright's historic trajectory from a common law to a statutory privilege, tu...
This paper was presented at Paper Session 6b: Resistance and Activism. This paper discusses the vary...
Digital technologies permit the wide distribution of perfect copies at virtually no marginal cost. E...
Existing copyright regimes were established in the analogue world to promote a healthy supply of Int...
Digital technology presents ongoing challenges to the traditional copyright model. This paper discus...
A defining characteristic of contemporary copyright law is the willingness of governments to accept ...
Copyright, caught in a digital maelstrom of perpetual reform and shifting commercial practices, exac...
The rapid diffusion of digital technologies since the 1970s has produced significant cultural change...
The actual debate about copyright refers more to the distribution of value produced in industrial ch...
Digital copyright has emerged as a key site of debate and dissent as a generation of consumers accus...
The website Creative Commons went online in December 2002 to counter shifts towards an ‘intellectual...