Pitch is often described metaphorically: for example, Farsi and Turkish speakers use a ‘thickness’ metaphor (low sounds are ‘thick’ and high sounds are ‘thin’), while German and English speakers use a height metaphor (‘low’, ‘high’). This study examines how child and adult speakers of Farsi, Turkish, and German map pitch and thickness using a cross-modal association task. All groups, except for German children, performed significantly better than chance. German-speaking adults’ success suggests the pitch-to-thickness association can be learned by experience. But the fact that German children were at chance indicates that this learning takes time. Intriguingly, Farsi and Turkish children's performance suggests that learning cross-modal assoc...
Spatial congruity effects have often been interpreted as evidence for metaphorical thinking, but an ...
Since Saussure, the idea that the forms of words are arbitrarily related to their meanings has been ...
This study aims at investigating the acquisition of spatial adjectives in a four-year-old multiling...
Pitch is often described metaphorically: for example, Farsi and Turkish speakers use a ‘thickness’ m...
Speakers often use spatial metaphors to talk about musical pitch (e.g., a low note, a high soprano)....
People often talk about musical pitch in terms of spatial metaphors. In English, for instance, pitch...
Some languages describe musical pitch in terms of spatial height; others in terms of thickness. Diff...
Musical properties, such as auditory pitch, are not expressed in the same way across cultures. In so...
People often talk about musical pitch in terms of spatial metaphors. In English, for instance, pitch...
Contains fulltext : 129853.pdf (publisher's version ) (Closed access)People often ...
People often talk about musical pitch in terms of spatial metaphors. In English, for instance, pitch...
Speakers use vocabulary for spatial verticality and size to describe pitch. A high–low contrast is c...
Height-pitch associations are claimed to be universal and independent of language, but this claim re...
To what extent are links between musical pitch and space universal, and to what extent are they shap...
Do people who speak different languages think differently, even when they are not using language? To...
Spatial congruity effects have often been interpreted as evidence for metaphorical thinking, but an ...
Since Saussure, the idea that the forms of words are arbitrarily related to their meanings has been ...
This study aims at investigating the acquisition of spatial adjectives in a four-year-old multiling...
Pitch is often described metaphorically: for example, Farsi and Turkish speakers use a ‘thickness’ m...
Speakers often use spatial metaphors to talk about musical pitch (e.g., a low note, a high soprano)....
People often talk about musical pitch in terms of spatial metaphors. In English, for instance, pitch...
Some languages describe musical pitch in terms of spatial height; others in terms of thickness. Diff...
Musical properties, such as auditory pitch, are not expressed in the same way across cultures. In so...
People often talk about musical pitch in terms of spatial metaphors. In English, for instance, pitch...
Contains fulltext : 129853.pdf (publisher's version ) (Closed access)People often ...
People often talk about musical pitch in terms of spatial metaphors. In English, for instance, pitch...
Speakers use vocabulary for spatial verticality and size to describe pitch. A high–low contrast is c...
Height-pitch associations are claimed to be universal and independent of language, but this claim re...
To what extent are links between musical pitch and space universal, and to what extent are they shap...
Do people who speak different languages think differently, even when they are not using language? To...
Spatial congruity effects have often been interpreted as evidence for metaphorical thinking, but an ...
Since Saussure, the idea that the forms of words are arbitrarily related to their meanings has been ...
This study aims at investigating the acquisition of spatial adjectives in a four-year-old multiling...