Synchronizing movements with a beat requires rapid compensation for timing errors. The phase-correction response (PCR) has been studied extensively in finger tapping by shifting a metronome onset and measuring the adjustment of the following tap time. How the response unfolds during the subsequent tap cycle remains unknown. Using motion capture, we examined finger kinematics during the PCR. Participants tapped with a metronome containing phase perturbations. They tapped in “legato” and “staccato” style at various tempi, which altered the timing of the constituent movement stages (dwell at the surface, extension, and flexion). After a phase perturbation, tapping kinematics changed compared with baseline, and the PCR was distributed different...
Moving in synchrony to external rhythmic stimuli is an elementary function that humans regularly eng...
In a sensorimotor synchronization task requiring subjects to tap in synchrony with an auditory stimu...
Previous studies of paced repetitive movements with respect to an external beat have either emphasis...
Synchronizing movements with a beat requires rapid compensation for timing errors. The phase-correct...
Synchronizing movements with a beat requires rapid compensation for timing errors. The phase correct...
Synchronizing movements with a beat requires rapid compensation for timing errors. The phase-correct...
chronization of movements with a rhythm, has been studied primarily with isochronous sequences. We u...
Synchronization of movement to a metronome is a well-studied task for both discretely and smoothly p...
Tapping in synchrony with a metronome requires phase error correction, a process often described by ...
Tapping in synchrony with a metronome requires phase error correction, a process often described by ...
It is well known that people can produce rhythms, such as finger tapping, but what is not well known...
In a previous work we have shown that sinusoidal whole-body rotations producing continuous vestibula...
Contains fulltext : 90450.pdf (publisher's version ) (Closed access)The authors ex...
Humans can synchronize movements with auditory beats or rhythms without apparent effort. This abilit...
International audienceIn a previous work we have shown that sinusoidal whole-body rotations producin...
Moving in synchrony to external rhythmic stimuli is an elementary function that humans regularly eng...
In a sensorimotor synchronization task requiring subjects to tap in synchrony with an auditory stimu...
Previous studies of paced repetitive movements with respect to an external beat have either emphasis...
Synchronizing movements with a beat requires rapid compensation for timing errors. The phase-correct...
Synchronizing movements with a beat requires rapid compensation for timing errors. The phase correct...
Synchronizing movements with a beat requires rapid compensation for timing errors. The phase-correct...
chronization of movements with a rhythm, has been studied primarily with isochronous sequences. We u...
Synchronization of movement to a metronome is a well-studied task for both discretely and smoothly p...
Tapping in synchrony with a metronome requires phase error correction, a process often described by ...
Tapping in synchrony with a metronome requires phase error correction, a process often described by ...
It is well known that people can produce rhythms, such as finger tapping, but what is not well known...
In a previous work we have shown that sinusoidal whole-body rotations producing continuous vestibula...
Contains fulltext : 90450.pdf (publisher's version ) (Closed access)The authors ex...
Humans can synchronize movements with auditory beats or rhythms without apparent effort. This abilit...
International audienceIn a previous work we have shown that sinusoidal whole-body rotations producin...
Moving in synchrony to external rhythmic stimuli is an elementary function that humans regularly eng...
In a sensorimotor synchronization task requiring subjects to tap in synchrony with an auditory stimu...
Previous studies of paced repetitive movements with respect to an external beat have either emphasis...