This article argues against the standard readings of Bazin's seminal essay "The Ontology of the Photographic Image," which are based on Charles S. Peirce's account of indexicality but for reasons distinct from recent influential criticism of this approach in film studies. The article also moves beyond the accounts of Bazin in the analytic tradition, by building on a rare analysis that takes Bazin's notion of identity between the photographic image and the model seriously. Whereas Jonathan Friday proposes identity to be construed as psychological, the article argues that, under the dual theory of light available to Bazin at the time, identity between the photographic images and object photographed literally holds for some photographs-namely,...
Reading images psychoanalytically from a Lacanian perspective has its challenges. The first task of ...
Although indexicality has been connected to various claims about truth and resemblance, it is a term...
This article attempts to understand the fate of conventional notions of photographic indexicality an...
none1noWas Bazin directly inspired by Walter Benjamin’s “The Work of Art in the Age of Its Technolog...
The recent technological transformations of cinema have brought back the debate on the properties of...
Guided by the question of what does photography bring into being, âAgainst Indexicalityâ is a propos...
This thesis is intertwined with an ongoing practice that I have been producing during MA studies in ...
This paper is an extract from a larger body of research that is concerned primarily with the ontolog...
Traditionally in Film Studies, the idea of cinema being able to put the truth on screen has been ass...
French critic-cum-theorist André Bazin remains a central figure in discourse concerning cinematic re...
The old discussion of identifying Bazin’s ontology of the photographic basis of film with the notion...
André Bazin’s notion of cinematic realism has been either denigrated as “naïve” or been deformed to ...
This paper is a study into the ontology of photography from the viewpoint of semiotics. Although ...
This paper explores some issues concerning the ontology of photography. It would appear that photogr...
This article analyzes the differences between photography, painting, and briefly, digital images in ...
Reading images psychoanalytically from a Lacanian perspective has its challenges. The first task of ...
Although indexicality has been connected to various claims about truth and resemblance, it is a term...
This article attempts to understand the fate of conventional notions of photographic indexicality an...
none1noWas Bazin directly inspired by Walter Benjamin’s “The Work of Art in the Age of Its Technolog...
The recent technological transformations of cinema have brought back the debate on the properties of...
Guided by the question of what does photography bring into being, âAgainst Indexicalityâ is a propos...
This thesis is intertwined with an ongoing practice that I have been producing during MA studies in ...
This paper is an extract from a larger body of research that is concerned primarily with the ontolog...
Traditionally in Film Studies, the idea of cinema being able to put the truth on screen has been ass...
French critic-cum-theorist André Bazin remains a central figure in discourse concerning cinematic re...
The old discussion of identifying Bazin’s ontology of the photographic basis of film with the notion...
André Bazin’s notion of cinematic realism has been either denigrated as “naïve” or been deformed to ...
This paper is a study into the ontology of photography from the viewpoint of semiotics. Although ...
This paper explores some issues concerning the ontology of photography. It would appear that photogr...
This article analyzes the differences between photography, painting, and briefly, digital images in ...
Reading images psychoanalytically from a Lacanian perspective has its challenges. The first task of ...
Although indexicality has been connected to various claims about truth and resemblance, it is a term...
This article attempts to understand the fate of conventional notions of photographic indexicality an...