An investigation into how the popularity of modern cinematic superheroes, specifically those found within the Marvel Cinematic Universe (MCU), can be understood on a psychological basis through their similarities with more traditional deities, and how they can even go so far as to act as a replacement. Utilising the psychological theories, primarily those of Freud and Jung, this thesis will examine the way in which these superheroes not only embody godhood through their superhuman powers, but also defy it through their psychologically human nature
This paper discusses the mythological foundations of popular comic books Detective Comics (DC) and A...
This paper discusses the mythological foundations of popular comic books Detective Comics (DC) and A...
Over the course of the 2000s, the Hollywood blockbuster welcomed the superhero genre into its ranks,...
This thesis deals with the villains' depiction in the Marvel Cinematic Universe movies. By examining...
This thesis explores the extent to which science fiction conveys latent sociocultural attitudes abou...
In the virtual world elaborated in Marvel’s movies (the “Marvel Cinematic Universe” or MCU), “scienc...
In this thesis, I investigate two representative examples of the superhero as teaching machine of na...
In this thesis, I investigate two representative examples of the superhero as teaching machine of na...
The claim that superhero comics culture is a modern religious and/ or mythopoeic expression has been...
This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe’s su...
This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe’s su...
Theoretical thesis.Bibliography: pagesIntroduction -- Chapter 1. Patriarchy as a storyworld -- Chapt...
This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe’s ...
Homeland security and defense are common themes in superhero films. The Marvel Cinematic Universe (M...
Marvel Cinematic Universe films and a variety of superhero films, in conjunction with the ideologies...
This paper discusses the mythological foundations of popular comic books Detective Comics (DC) and A...
This paper discusses the mythological foundations of popular comic books Detective Comics (DC) and A...
Over the course of the 2000s, the Hollywood blockbuster welcomed the superhero genre into its ranks,...
This thesis deals with the villains' depiction in the Marvel Cinematic Universe movies. By examining...
This thesis explores the extent to which science fiction conveys latent sociocultural attitudes abou...
In the virtual world elaborated in Marvel’s movies (the “Marvel Cinematic Universe” or MCU), “scienc...
In this thesis, I investigate two representative examples of the superhero as teaching machine of na...
In this thesis, I investigate two representative examples of the superhero as teaching machine of na...
The claim that superhero comics culture is a modern religious and/ or mythopoeic expression has been...
This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe’s su...
This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe’s su...
Theoretical thesis.Bibliography: pagesIntroduction -- Chapter 1. Patriarchy as a storyworld -- Chapt...
This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe’s ...
Homeland security and defense are common themes in superhero films. The Marvel Cinematic Universe (M...
Marvel Cinematic Universe films and a variety of superhero films, in conjunction with the ideologies...
This paper discusses the mythological foundations of popular comic books Detective Comics (DC) and A...
This paper discusses the mythological foundations of popular comic books Detective Comics (DC) and A...
Over the course of the 2000s, the Hollywood blockbuster welcomed the superhero genre into its ranks,...