The purpose of this brief paper is to consider the relationship between the choice of coin types to represent the authority of the Persian king and his officials, and the emergence of portraiture on coins during the fourth century BC. It reflects the recent work of a number of scholars, and is intended simply as an expression of some thoughts (not all conventional) on the background to the royal coinages of the Hellenistic period.6 page(s
Beginning in the Classical period, master engravers of Magna Graecia struck coins of unparalleled be...
The coinages issued by the Persian satraps in Asia Minor are reviewed summarily. The satrapal coinag...
The article examines the fourth and final portrait type of Marcus Aurelius. A date of A.D. 166 for i...
Coins issued by individual Persians in the western satrapies of the Achaemenid Empire can be identif...
Hellenistic coinage is a popular topic in art historical research as it is an invaluable resource of...
Coins minted by fourth century BCE Persian officials form a wonderful complement to the literary sou...
Sassanian coinage is one the best sources for information on the individual kings from this Persian ...
The paper presents an overview of the figurative themes of Greek coinage with the aim of identifying...
In Poetics (1448b), Aristotle describes two kinds of pleasure drawn from contemplating portraits. Th...
This paper analyzes the role of the military costume in the portrait of the Hellenistic and Roman ru...
Portraits were the standard obverse types of Roman imperial coins. Up to the mid-1st century AD, gen...
The present thesis essays to ascertain and research problems that concern the social requirements an...
The Persians held sway over the Greek imagination for more than 200 years. The image of Persia shift...
The coins from the province of Samaria in the Persian Period and the imagery depicted on them are at...
The dissertation re-examines a fragmentary and understudied group of nearly 150 portrait statues rep...
Beginning in the Classical period, master engravers of Magna Graecia struck coins of unparalleled be...
The coinages issued by the Persian satraps in Asia Minor are reviewed summarily. The satrapal coinag...
The article examines the fourth and final portrait type of Marcus Aurelius. A date of A.D. 166 for i...
Coins issued by individual Persians in the western satrapies of the Achaemenid Empire can be identif...
Hellenistic coinage is a popular topic in art historical research as it is an invaluable resource of...
Coins minted by fourth century BCE Persian officials form a wonderful complement to the literary sou...
Sassanian coinage is one the best sources for information on the individual kings from this Persian ...
The paper presents an overview of the figurative themes of Greek coinage with the aim of identifying...
In Poetics (1448b), Aristotle describes two kinds of pleasure drawn from contemplating portraits. Th...
This paper analyzes the role of the military costume in the portrait of the Hellenistic and Roman ru...
Portraits were the standard obverse types of Roman imperial coins. Up to the mid-1st century AD, gen...
The present thesis essays to ascertain and research problems that concern the social requirements an...
The Persians held sway over the Greek imagination for more than 200 years. The image of Persia shift...
The coins from the province of Samaria in the Persian Period and the imagery depicted on them are at...
The dissertation re-examines a fragmentary and understudied group of nearly 150 portrait statues rep...
Beginning in the Classical period, master engravers of Magna Graecia struck coins of unparalleled be...
The coinages issued by the Persian satraps in Asia Minor are reviewed summarily. The satrapal coinag...
The article examines the fourth and final portrait type of Marcus Aurelius. A date of A.D. 166 for i...