Imitation plays a crucial role in apprenticeship in the Afro-Brazilian performance genre capoeira, as in many skills across cultures. In this article, I examine the interactional dynamics of imitative pedagogy in capoeira to better understand physical education as a form of bodily enculturation. The ability to learn through imitation is widely considered a hallmark of our species. Imitative ability, however, is a social accomplishment rather than a capacity of the learner in isolation. Human models often provide assistance to novices seeking to imitate, including a variety of forms of what educational theorists call "scaffolding," which are astutely structured to a novice's ability, perceptions, and even neurology. Scaffolding techniques va...
This study investigates the relationships between ethnographic study and animation practice, focusin...
Prelude : playing Capoeira -- 1. Inside and outside the Roda -- 2. The significance of skills -- 3. ...
This paper compares ethnographic experiences of two settings characterised by embodied learning: the...
This paper, drawing on research on skill acquisition and sports training, asks two questions. First,...
In the port-cities of Brazil during the nineteenth and twentieth centuries, a distinct form of comba...
Bodily Force and Rhetorical Function in the Afro-Brazilian Art Form of Capoeira examines how practit...
Using testimonies from students after one semester practicing the art of capoeira, we underscore the...
Resumo: Trazemos neste trabalho alguns dos elementos que compõem parte importante da prática social ...
The practice of capoeira, the Brazilian dance-fight-game, has grown rapidly in recent years. It has ...
This article presented a critical analysis on the internal structure of capoeira game. This research...
This paper strives to analyze the traditional forms to transmit the knowledge present in popular cul...
This article is an unusual reflexive text. It has two authors, two voices, two embodied experiences,...
Capoeira, the Brazilian dance and martial art is now globalised and taught widely outside Brazil. I...
Dance-fight-game, art, religiosity, therapy, entertainment, ritual act, in short, "a way of being", ...
This article is the result of twenty-one months of fieldwork among the capoeiristas in Brazil, prima...
This study investigates the relationships between ethnographic study and animation practice, focusin...
Prelude : playing Capoeira -- 1. Inside and outside the Roda -- 2. The significance of skills -- 3. ...
This paper compares ethnographic experiences of two settings characterised by embodied learning: the...
This paper, drawing on research on skill acquisition and sports training, asks two questions. First,...
In the port-cities of Brazil during the nineteenth and twentieth centuries, a distinct form of comba...
Bodily Force and Rhetorical Function in the Afro-Brazilian Art Form of Capoeira examines how practit...
Using testimonies from students after one semester practicing the art of capoeira, we underscore the...
Resumo: Trazemos neste trabalho alguns dos elementos que compõem parte importante da prática social ...
The practice of capoeira, the Brazilian dance-fight-game, has grown rapidly in recent years. It has ...
This article presented a critical analysis on the internal structure of capoeira game. This research...
This paper strives to analyze the traditional forms to transmit the knowledge present in popular cul...
This article is an unusual reflexive text. It has two authors, two voices, two embodied experiences,...
Capoeira, the Brazilian dance and martial art is now globalised and taught widely outside Brazil. I...
Dance-fight-game, art, religiosity, therapy, entertainment, ritual act, in short, "a way of being", ...
This article is the result of twenty-one months of fieldwork among the capoeiristas in Brazil, prima...
This study investigates the relationships between ethnographic study and animation practice, focusin...
Prelude : playing Capoeira -- 1. Inside and outside the Roda -- 2. The significance of skills -- 3. ...
This paper compares ethnographic experiences of two settings characterised by embodied learning: the...