Add to ORKGThe article examines how the film "Australia," by Baz Lurhmann accommodates the discourse of authors Felicity Collins and Therese Davis on post-Mabo and moves into post-apology territory. The author discusses the discourse on landscape cinema which has its heart the relationship among humans and nature. She, then, cites the landscape cinema as a reflection of a developing environment. Moreover, the juxtaposition of the of the movie is being discussed.5 page(s
This discussion explicitly takes "terra nullius" as a strategy of culture and politics and of Austra...
Australian films have gained an international reputation for their whimsical look at everyday life. ...
A landscape is a perspective or view – an image torn away from the earth. Landscapes substitute a fo...
This article explores how the imaginative use of the landscape in Baz Luhrmann’s Australia (2008) in...
This article explores how the imaginative use of the landscape in Baz Luhrmann’s Australia (2008) in...
From sun-blasted desert heat so searing that the reek of carrion, stale beer, and sweat is almost pa...
The critical attention that is paid to landscape in Australian cinema is discussed. Critical constru...
Cinema is central to the mediation of history and the construction of imaginative geographies that o...
This article explores the changing nature of representations of the landscape in Australian film. It...
The article is part of the volume Configurazioni e trasfigurazioni. Discorsi sul paesaggio mediato. ...
Over the last twenty years or so, Australian cinema’s international relations in production and poli...
Scholarship discussing the Australian outback as a cinematic setting often conceives of this space a...
In Australia (and globally), refugees and `the environment' are major sources of anxiety that define...
As Tom O’ Regan states in his discussion of “Unities of Setting and Landscape” in Australian Nationa...
During the so-called resurgence or 'new wave' of Australian cinema in the late 1970s and early 1980s...
This discussion explicitly takes "terra nullius" as a strategy of culture and politics and of Austra...
Australian films have gained an international reputation for their whimsical look at everyday life. ...
A landscape is a perspective or view – an image torn away from the earth. Landscapes substitute a fo...
This article explores how the imaginative use of the landscape in Baz Luhrmann’s Australia (2008) in...
This article explores how the imaginative use of the landscape in Baz Luhrmann’s Australia (2008) in...
From sun-blasted desert heat so searing that the reek of carrion, stale beer, and sweat is almost pa...
The critical attention that is paid to landscape in Australian cinema is discussed. Critical constru...
Cinema is central to the mediation of history and the construction of imaginative geographies that o...
This article explores the changing nature of representations of the landscape in Australian film. It...
The article is part of the volume Configurazioni e trasfigurazioni. Discorsi sul paesaggio mediato. ...
Over the last twenty years or so, Australian cinema’s international relations in production and poli...
Scholarship discussing the Australian outback as a cinematic setting often conceives of this space a...
In Australia (and globally), refugees and `the environment' are major sources of anxiety that define...
As Tom O’ Regan states in his discussion of “Unities of Setting and Landscape” in Australian Nationa...
During the so-called resurgence or 'new wave' of Australian cinema in the late 1970s and early 1980s...
This discussion explicitly takes "terra nullius" as a strategy of culture and politics and of Austra...
Australian films have gained an international reputation for their whimsical look at everyday life. ...
A landscape is a perspective or view – an image torn away from the earth. Landscapes substitute a fo...