My concern in this paper is what, in 'Art and Illusion', Gombrich calls "the riddle of style". This is the problem of why people at different times and in different cultures have depicted objects in very different ways. An adequate solution to this problem will comprise an explanation of why depiction has a history
AbstractThere are classifications in the theory of styles which might help create a unitary vision u...
Realism is a way of conveying what is seen with a simple definition for visual arts. Terms such as r...
The text analyses the work of E. H. Gombrich, in his central presentation, Art and Illusion: A Study...
When style seems to have been an unobservable feature in images before the era of art, it became the...
The term style is commonly associated with high art.1 One popular use of it refers to artistic movem...
As is so frequently pointed out, Francisco Goya is the originator of the modern arts. It is certain ...
The debate between Ernst H. Gombrich and Nelson Goodman focuses on the question of pictorial convent...
[Abstract] Style is one of the few terms of cultural analysis which can be fruitfully used in comple...
This study examines the reception of various image techniques with the help of memorable expressions...
During our century the demarcation lines between art and non-art have become vague to the extent tha...
It is clear to any viewer that twentieth-century art encompasses a range and variety of styles unpre...
AbstractObject (outside reality) and its representation has been main problem of art since early age...
When Wittgenstein claims that “the expression of a change of aspect is the expression of a new perce...
This paper explains the research behind and the steps involved in a character design workshop that s...
This book analyzes the philosophical origins of dualism in portraiture in Western culture during the...
AbstractThere are classifications in the theory of styles which might help create a unitary vision u...
Realism is a way of conveying what is seen with a simple definition for visual arts. Terms such as r...
The text analyses the work of E. H. Gombrich, in his central presentation, Art and Illusion: A Study...
When style seems to have been an unobservable feature in images before the era of art, it became the...
The term style is commonly associated with high art.1 One popular use of it refers to artistic movem...
As is so frequently pointed out, Francisco Goya is the originator of the modern arts. It is certain ...
The debate between Ernst H. Gombrich and Nelson Goodman focuses on the question of pictorial convent...
[Abstract] Style is one of the few terms of cultural analysis which can be fruitfully used in comple...
This study examines the reception of various image techniques with the help of memorable expressions...
During our century the demarcation lines between art and non-art have become vague to the extent tha...
It is clear to any viewer that twentieth-century art encompasses a range and variety of styles unpre...
AbstractObject (outside reality) and its representation has been main problem of art since early age...
When Wittgenstein claims that “the expression of a change of aspect is the expression of a new perce...
This paper explains the research behind and the steps involved in a character design workshop that s...
This book analyzes the philosophical origins of dualism in portraiture in Western culture during the...
AbstractThere are classifications in the theory of styles which might help create a unitary vision u...
Realism is a way of conveying what is seen with a simple definition for visual arts. Terms such as r...
The text analyses the work of E. H. Gombrich, in his central presentation, Art and Illusion: A Study...