Long before Aboriginal creativity could be expressed freely across contemporary Australian culture, before Aboriginal artists, writers, performers and directors were widely acclaimed, it was country music that first gave the original Australians a voice in modern Australia. It might seem like an unlikely combination, but country has always offered a vehicle for the dispossessed to tell their stories. Aboriginal country music has a rich history, from the great pioneer Jimmy Little through Vic Simms, Harry and Wilga Williams, Bobby McLeod, Bob Randall and Isaac Yamma to Roger Knox and Kev Carmody, Archie Roach and Ruby Hunter. These pivotal figures and many more are vividly captured in Clinton Walker's magisterial and compelling account of th...
This anthology emanated from a conference in St. John’s, Newfoundland, that brought together popular...
This article explores country music as an important means for Aboriginal men in Central Australia to...
Study of country music in Australia, from an historical and ethnographic perspective
Over the last half century, as part of a wider struggle for recognition, respect, reconciliation and...
Many Aboriginal Australians have participated in, and take pleasure from, country music. Country mus...
This landmark book by Toby Martin tells the story of one of the most enduring forms of popular cultu...
Theoretical thesis.Bibliography: pages 287-307.Part One. Contexts -- Part Two. People and relationsh...
Contemporary Australian country music is marked by a fascination with the past — both its own and th...
Early country music has long had the reputation of being a pristine folk music, an archaic holdover ...
To many Aboriginal Australians, Country means place of origin in spiritual, cultural and literal ter...
Markets and Margins: Australian Country Music Volume 3 is the third volume in this series of books t...
Boogie! Presents Silver Roads is a comprehensive look at a part of Australian music history that had...
Aboriginal-influenced compositions have been central to Australian art music practice since the 1960...
This article concerns the regional city of Tamworth, New South Wales, Australia, a place that prides...
This is volume 2 of the Australian country music series. It provides case studies of the local devel...
This anthology emanated from a conference in St. John’s, Newfoundland, that brought together popular...
This article explores country music as an important means for Aboriginal men in Central Australia to...
Study of country music in Australia, from an historical and ethnographic perspective
Over the last half century, as part of a wider struggle for recognition, respect, reconciliation and...
Many Aboriginal Australians have participated in, and take pleasure from, country music. Country mus...
This landmark book by Toby Martin tells the story of one of the most enduring forms of popular cultu...
Theoretical thesis.Bibliography: pages 287-307.Part One. Contexts -- Part Two. People and relationsh...
Contemporary Australian country music is marked by a fascination with the past — both its own and th...
Early country music has long had the reputation of being a pristine folk music, an archaic holdover ...
To many Aboriginal Australians, Country means place of origin in spiritual, cultural and literal ter...
Markets and Margins: Australian Country Music Volume 3 is the third volume in this series of books t...
Boogie! Presents Silver Roads is a comprehensive look at a part of Australian music history that had...
Aboriginal-influenced compositions have been central to Australian art music practice since the 1960...
This article concerns the regional city of Tamworth, New South Wales, Australia, a place that prides...
This is volume 2 of the Australian country music series. It provides case studies of the local devel...
This anthology emanated from a conference in St. John’s, Newfoundland, that brought together popular...
This article explores country music as an important means for Aboriginal men in Central Australia to...
Study of country music in Australia, from an historical and ethnographic perspective