Add to ORKGA book review of 'The audience experience: A critical analysis of audiences in the performing arts', by Jennifer Radbourne, Hilary Glow and Katya Johanson (eds), Bristol, UK/Intellect, 9781841507132.5 page(s
Book review of 'Screening Nature: Cinema beyond the human' by Pick, Anat and Narraway, Guinevere (ed...
Review of: Semiotics and pragmatics of stage improvisation, by Domenico Pietropaolo. London: Bloomsb...
Book Review for: "Interdisciplinarity in the performing arts: contemporary perspectives.
Review of the book 'Rating the audience: the business of media', by Mark Balnaves and Tom O'Regan wi...
Matthew Reason’s The Young Audience explores elementary-aged children’s engagement with theatrical p...
Book Review by Abin Chakraborty of Theatre Theory and Performance: A Critical Interrogation by Siddh...
Review of: It’s all allowed: the performances of Adrian Howells, edited by Deirdre Heddon and Domini...
A review of Bourdon and Méadel (eds.), Television Audiences Across The World: Deoconstructing the Ra...
Rachel\u27s Fensham\u27s To Watch Theatre claims at its outset to be ‘about watching, specifically a...
Review of the book 'Creativity and cultural production: issues for media practice' by Phillip McInty...
This is a comprehensive review of Dani Snyder-Young\u27s 2020 book entitled, Privileged Spectatorshi...
Book review of 'Multimedia performance', by Rosemary Klich, Edward Scheer, Basingstoke, Hampshire ; ...
Review of: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Ga...
This useful text brings together recent thinking about museum theatre and the performance of heritag...
A book review of 'Critical multimodal studies of popular discourse', Published: New York/Routledge, ...
Book review of 'Screening Nature: Cinema beyond the human' by Pick, Anat and Narraway, Guinevere (ed...
Review of: Semiotics and pragmatics of stage improvisation, by Domenico Pietropaolo. London: Bloomsb...
Book Review for: "Interdisciplinarity in the performing arts: contemporary perspectives.
Review of the book 'Rating the audience: the business of media', by Mark Balnaves and Tom O'Regan wi...
Matthew Reason’s The Young Audience explores elementary-aged children’s engagement with theatrical p...
Book Review by Abin Chakraborty of Theatre Theory and Performance: A Critical Interrogation by Siddh...
Review of: It’s all allowed: the performances of Adrian Howells, edited by Deirdre Heddon and Domini...
A review of Bourdon and Méadel (eds.), Television Audiences Across The World: Deoconstructing the Ra...
Rachel\u27s Fensham\u27s To Watch Theatre claims at its outset to be ‘about watching, specifically a...
Review of the book 'Creativity and cultural production: issues for media practice' by Phillip McInty...
This is a comprehensive review of Dani Snyder-Young\u27s 2020 book entitled, Privileged Spectatorshi...
Book review of 'Multimedia performance', by Rosemary Klich, Edward Scheer, Basingstoke, Hampshire ; ...
Review of: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Ga...
This useful text brings together recent thinking about museum theatre and the performance of heritag...
A book review of 'Critical multimodal studies of popular discourse', Published: New York/Routledge, ...
Book review of 'Screening Nature: Cinema beyond the human' by Pick, Anat and Narraway, Guinevere (ed...
Review of: Semiotics and pragmatics of stage improvisation, by Domenico Pietropaolo. London: Bloomsb...
Book Review for: "Interdisciplinarity in the performing arts: contemporary perspectives.