The documentary film, Close to the Bone, which I made in 2012, re-tells history through the memory stories of my father's family: the Harper children, postwar British orphans who migrated to Australia in 1948. I was inspired to make the film by documentary's capacity to represent and transmit the lost voices of history, and it is this conceptual premise upon which it was based. Close to the Bone is a case study in how film can speak back to former public representations of the British migrant child by re-constructing an individual family story from autobiographical and familial memories. This article charts the research approach I used and the personal and methodological challenges that I faced when making the film. I discovered in the film...
This PhD by practice is an attempt to understand personal archives through filmmaking, and the kind...
In the sensitive environment of a hospice, my central consideration was to represent individuals wit...
In the sensitive environment of a hospice, my central consideration was to represent individuals wit...
Master's thesis in Documentary productionAmong the Palestinians in Sweden, homeland stories cross th...
Autobiographical documentary films involve the first-person recollection by filmmakers of events tha...
In this article I argue that using past films as found footage has benefited the documentary filmmak...
This book examines the challenges often experienced by film practitioners who find themselves resear...
This article is concerned with the 2012 feature, Lore, made in Germany by Australian director Cate S...
This practice-as-research project explores the meaning of family filmmaking in diaspora through the ...
The Calling Blighty series of nearly 400 films were messages from servicemen in India and Burma to b...
The research journey which this practice-led project undertook describes and analyses the use of doc...
This article presents an ongoing project, Mneme‐Automaton/Memory‐Machine , which involves collaborat...
SHOOTING THE PAST? FOUND FOOTAGE FILMMAKING AND POPULAR MEMORY IntroductionHow should we as document...
Book synopsis: Whether pasted into an album, framed or shared on social media, the family photograph...
noMemories on film is the outcome of an 18-month study funded by the National Institute for Health R...
This PhD by practice is an attempt to understand personal archives through filmmaking, and the kind...
In the sensitive environment of a hospice, my central consideration was to represent individuals wit...
In the sensitive environment of a hospice, my central consideration was to represent individuals wit...
Master's thesis in Documentary productionAmong the Palestinians in Sweden, homeland stories cross th...
Autobiographical documentary films involve the first-person recollection by filmmakers of events tha...
In this article I argue that using past films as found footage has benefited the documentary filmmak...
This book examines the challenges often experienced by film practitioners who find themselves resear...
This article is concerned with the 2012 feature, Lore, made in Germany by Australian director Cate S...
This practice-as-research project explores the meaning of family filmmaking in diaspora through the ...
The Calling Blighty series of nearly 400 films were messages from servicemen in India and Burma to b...
The research journey which this practice-led project undertook describes and analyses the use of doc...
This article presents an ongoing project, Mneme‐Automaton/Memory‐Machine , which involves collaborat...
SHOOTING THE PAST? FOUND FOOTAGE FILMMAKING AND POPULAR MEMORY IntroductionHow should we as document...
Book synopsis: Whether pasted into an album, framed or shared on social media, the family photograph...
noMemories on film is the outcome of an 18-month study funded by the National Institute for Health R...
This PhD by practice is an attempt to understand personal archives through filmmaking, and the kind...
In the sensitive environment of a hospice, my central consideration was to represent individuals wit...
In the sensitive environment of a hospice, my central consideration was to represent individuals wit...