There are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions. Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman's Cutting Rhythms offers an in-depth study of the film editor's rhythmic creativity and intuition, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. While respecting the importance of intuitive flow in the cutting room, this book offers processes for understanding what editing intuition is and how to develop it. This fully revised and updated edition contains: New chapters on collaboration and "editing thinkin...
This paper aims to combine film editing principles to basic design principles to explore what graphi...
Many people today have no idea that film editing is more than simply putting scenes together. Previo...
How do we know when something is finishing? In everyday life there are no clips, cuts or frames that...
University of Technology, Sydney. Faculty of Humanities and Social Sciences.NO FULL TEXT AVAILABLE. ...
No abstract availableThis review essay was originally published by Parallel Press, an imprint of the...
Well-edited films are deeply rooted in the concepts of rhythm and pace. Many film editors argue that...
Cutting Rhythms adalah buku tentang teori dan praktik editing dan proses kreatif, alat, dan fungsi d...
International audienceThis paper introduces Film Editing Patterns (FEP), a language to formalize fil...
An in-depth treatise on the process of film editing, featuring 16 original interviews from renowned ...
Emosi menjadi kriteria yang penting dalam memilih dan menyusun audio visual yang nantinya menjadi sa...
This program looks at the creative skills needed by a video editor, and also considers some of the p...
This paper forms a continuation of our work focused on exploiting film grammar for the task of autom...
This article presents an audio-visual methodology, VOSMET, designed to address activities of the cra...
The editing process of a narrative film shares many artistic similarities to directing. Through a cr...
This paper aims to combine film-editing principles with basic design principles to explore what grap...
This paper aims to combine film editing principles to basic design principles to explore what graphi...
Many people today have no idea that film editing is more than simply putting scenes together. Previo...
How do we know when something is finishing? In everyday life there are no clips, cuts or frames that...
University of Technology, Sydney. Faculty of Humanities and Social Sciences.NO FULL TEXT AVAILABLE. ...
No abstract availableThis review essay was originally published by Parallel Press, an imprint of the...
Well-edited films are deeply rooted in the concepts of rhythm and pace. Many film editors argue that...
Cutting Rhythms adalah buku tentang teori dan praktik editing dan proses kreatif, alat, dan fungsi d...
International audienceThis paper introduces Film Editing Patterns (FEP), a language to formalize fil...
An in-depth treatise on the process of film editing, featuring 16 original interviews from renowned ...
Emosi menjadi kriteria yang penting dalam memilih dan menyusun audio visual yang nantinya menjadi sa...
This program looks at the creative skills needed by a video editor, and also considers some of the p...
This paper forms a continuation of our work focused on exploiting film grammar for the task of autom...
This article presents an audio-visual methodology, VOSMET, designed to address activities of the cra...
The editing process of a narrative film shares many artistic similarities to directing. Through a cr...
This paper aims to combine film-editing principles with basic design principles to explore what grap...
This paper aims to combine film editing principles to basic design principles to explore what graphi...
Many people today have no idea that film editing is more than simply putting scenes together. Previo...
How do we know when something is finishing? In everyday life there are no clips, cuts or frames that...