Dmitri Tymoczko describes the voice-leading space of N-note chords as the orbifold TN/SN , the N-torus modulo the Nth symmetric group action, "an N-dimensional prism whose simplicial faces are glued together with a twist, and whose remaining boundaries act like mirrors" (2011. A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice. Oxford: Oxford University Press). This quotient space TN/SN is produced from the space of all ordered sequences of N pitch classes TN by identifying each sequence with all its reorderings, indicating that we consider a chord unchanged under any permutation of its voices. Here instead we consider a polyphonic setting in which not all voices are free to move independently. Such constraints de...
The influence of nonlinear phenomena and the scaling of multidimensional phase space will be present...
From the seventeenth century to the present day, tonal harmonic music has had a number of invariant ...
This paper briefly illustrates the concepts of tone-lattices, scales, periodicity and notational sys...
Common principles of voice-leading can be represented using an orbifold (i.e. a quotient space) in w...
Thesis (M.M.)--Boston University PLEASE NOTE: Boston University Libraries did not receive an Author...
It is well known (from Riemann, Lewin, Cohn and others) that two voices of a triad (set class 3–11) ...
This paper studies the “integration” problem of nineteenth-century harmony—the question whether the ...
Parsimonious voice leading is a term, first used by Richard Cohn, to describe non-diatonic motion am...
Journal of Mathematics and Music's recent special issue 7(2) reveals substantial common ground betwe...
This study explores the analytical implications of cross-partitions, or two-dimensional harmony and ...
This paper presents a formal model of Schoenberg’s guidelines for convincing chord root progressions...
This study deals with the processes of tonal counterpoint inherent in the songs of Schoenberg's Opus...
One of the reasons for the widely felt influence of Schenker’s theory is his idea of long-range voic...
The theory of harmonic vectors (THV) postulates that of the six possible root progressions in a give...
Thesis (Master's)--University of Washington, 2013The increasing prevalence of touchscreen mobile dev...
The influence of nonlinear phenomena and the scaling of multidimensional phase space will be present...
From the seventeenth century to the present day, tonal harmonic music has had a number of invariant ...
This paper briefly illustrates the concepts of tone-lattices, scales, periodicity and notational sys...
Common principles of voice-leading can be represented using an orbifold (i.e. a quotient space) in w...
Thesis (M.M.)--Boston University PLEASE NOTE: Boston University Libraries did not receive an Author...
It is well known (from Riemann, Lewin, Cohn and others) that two voices of a triad (set class 3–11) ...
This paper studies the “integration” problem of nineteenth-century harmony—the question whether the ...
Parsimonious voice leading is a term, first used by Richard Cohn, to describe non-diatonic motion am...
Journal of Mathematics and Music's recent special issue 7(2) reveals substantial common ground betwe...
This study explores the analytical implications of cross-partitions, or two-dimensional harmony and ...
This paper presents a formal model of Schoenberg’s guidelines for convincing chord root progressions...
This study deals with the processes of tonal counterpoint inherent in the songs of Schoenberg's Opus...
One of the reasons for the widely felt influence of Schenker’s theory is his idea of long-range voic...
The theory of harmonic vectors (THV) postulates that of the six possible root progressions in a give...
Thesis (Master's)--University of Washington, 2013The increasing prevalence of touchscreen mobile dev...
The influence of nonlinear phenomena and the scaling of multidimensional phase space will be present...
From the seventeenth century to the present day, tonal harmonic music has had a number of invariant ...
This paper briefly illustrates the concepts of tone-lattices, scales, periodicity and notational sys...