Add to ORKGThis paper seeks to bring some art historical and museological perspectives to bear on discourses surrounding the highly controversial idea of de-extinction
This paper explains the thinking behind the exhibition The Complete Entanglement of Everything. The ...
The current environmental dilemma is closely connected with humanity’s history, culture, sociology, ...
An ecological art history primarily concerns the relationship between the aesthetic and representati...
This paper considers issues in de-extinction using art historical and museological perspectives. It...
This article examines the operations of visual representations within discourses advocating deextinc...
There is madness in species extinction. The horn has been removed from the last male northern white ...
Since 2000, the concept of the Anthropocene has moved from its geologic field of origin into numerou...
In recent years the presentation of anthropogenic extinction narratives in natural history museums h...
Although this paper focuses largely on the Anthropocene, it is not about the local or global dange...
This essay argues that the concept of extinction, polysemous if not overdetermined, is becoming an e...
What role do museums play in elevating the Sixth Mass Extinction Event within public consciousness? ...
The definition of a natural history museum as an institution continues to evolve following the human...
This paper builds upon qualitative research in El Museo del Bucardo – The Bucardo Museum – an exhibi...
It seems that nothing that occurs in our society today may pass untouched by the hand of preservatio...
Extinction of nonhuman species, as well as human-induced environmental change in general, is happeni...
This paper explains the thinking behind the exhibition The Complete Entanglement of Everything. The ...
The current environmental dilemma is closely connected with humanity’s history, culture, sociology, ...
An ecological art history primarily concerns the relationship between the aesthetic and representati...
This paper considers issues in de-extinction using art historical and museological perspectives. It...
This article examines the operations of visual representations within discourses advocating deextinc...
There is madness in species extinction. The horn has been removed from the last male northern white ...
Since 2000, the concept of the Anthropocene has moved from its geologic field of origin into numerou...
In recent years the presentation of anthropogenic extinction narratives in natural history museums h...
Although this paper focuses largely on the Anthropocene, it is not about the local or global dange...
This essay argues that the concept of extinction, polysemous if not overdetermined, is becoming an e...
What role do museums play in elevating the Sixth Mass Extinction Event within public consciousness? ...
The definition of a natural history museum as an institution continues to evolve following the human...
This paper builds upon qualitative research in El Museo del Bucardo – The Bucardo Museum – an exhibi...
It seems that nothing that occurs in our society today may pass untouched by the hand of preservatio...
Extinction of nonhuman species, as well as human-induced environmental change in general, is happeni...
This paper explains the thinking behind the exhibition The Complete Entanglement of Everything. The ...
The current environmental dilemma is closely connected with humanity’s history, culture, sociology, ...
An ecological art history primarily concerns the relationship between the aesthetic and representati...