Background The literature indicated that the majority of professional ballet dancers present static and active dynamic range of motion difference between left and right lower limbs, however, no previous study focused this difference in non-professional ballet dancers. In this study we aimed to evaluate active movements of the hip in non-professional classical dancers. Methods We evaluated 10 non professional ballet dancers (16-23 years old). We measured the active range of motion and flexibility through Well Banks. We compared active range of motion between left and right sides (hip flexion and abduction) and performed correlation between active movements and flexibility. Results There was a small difference between the right and left sid...
Background and Purpose. A lack of information is available about injury in ballet dancers and its re...
The turnout, primary gesture in classical ballet, refers the 180º of the feet. The lateral rotation ...
Turnout, the act of externally rotating the legs, is produced through the summation of joint structu...
Background\ud The literature indicated that the majority of professional ballet dancers present stat...
Abstract Background The literature indicated that the...
Abstract Background The literature indicated that the...
Abstract Background The literature indicated that the...
Abstract Background The literature indicated that the...
The turnout of the lower extremities is the major component of the classical ballet positions (CPs) ...
Turnout is a central element of classical ballet which involves sustained external rotation of the l...
Title: Ranges of joint mobility in the hip and ankle joints and evaluation of flat feet on a podosco...
In the world of ballet, flexibility and strength are the keys to success. A leg extended to extraord...
Background: Dancers are highly trained athletes who are at significant risk of injury due to the rep...
Purpose. The aim of this study was to compare the joint position sense (JPS) between professional ba...
Background: The purpose of the study was to compare and contrast ankle range of motion, functional a...
Background and Purpose. A lack of information is available about injury in ballet dancers and its re...
The turnout, primary gesture in classical ballet, refers the 180º of the feet. The lateral rotation ...
Turnout, the act of externally rotating the legs, is produced through the summation of joint structu...
Background\ud The literature indicated that the majority of professional ballet dancers present stat...
Abstract Background The literature indicated that the...
Abstract Background The literature indicated that the...
Abstract Background The literature indicated that the...
Abstract Background The literature indicated that the...
The turnout of the lower extremities is the major component of the classical ballet positions (CPs) ...
Turnout is a central element of classical ballet which involves sustained external rotation of the l...
Title: Ranges of joint mobility in the hip and ankle joints and evaluation of flat feet on a podosco...
In the world of ballet, flexibility and strength are the keys to success. A leg extended to extraord...
Background: Dancers are highly trained athletes who are at significant risk of injury due to the rep...
Purpose. The aim of this study was to compare the joint position sense (JPS) between professional ba...
Background: The purpose of the study was to compare and contrast ankle range of motion, functional a...
Background and Purpose. A lack of information is available about injury in ballet dancers and its re...
The turnout, primary gesture in classical ballet, refers the 180º of the feet. The lateral rotation ...
Turnout, the act of externally rotating the legs, is produced through the summation of joint structu...