Children's View of Narration in Selected Pieces of Anglo-American Prose

The presented thesis focuses on the phenomenon of child narrator/protagonist in the role of the main actor and intermediary of fictional world in literature for adults. The first chapter is devoted mainly to the theoretical concept of narrator as a significant narratological category. The second chapter presents literature for children and youth in comparison to literature primarily intended for adult readers and looks for their mutual inspirations. Above all, the concept of children aspect is defined. In the practical part, the thesis aims for stylistic analysis, thematic interpretation and comparison of four narrative texts from Anglophone literature. These are The Bluest Eye by Toni Morrison, Black Swan Green by David Mitchell, Pigeon English by Stephen Kelman and Cormac McCarthy's The Road. These texts, having a child narrator/protagonist in common, are not primarily intended to be read by children. I see this as a certain strategy of writers, which however fully functions only in such a case, when the authenticity of child narrator/protagonist is maintained. Thus, such elements which we could connect with the concept of children aspect are deliberately used there. My objective is therefore to link the concept of children aspect with a specifically defined literature for adults. I also inquire why child narrators/protagonists are used in literature for adults and what their functions are, how and to what extent can a child narrator/protagonist convey fictional world, what the children in the followed texts are like, how the perceive the world around them, how they impart to us what they see, think and feel, and what possibilities of description of the world through a child's eyes it offers to authors