Piper’s lecture «Lessons from the Playbook of Second-Wave Feminism» is a candid appraisal of the achievements and shortcomings of the feminist movement of the 1960s and 1970s in the United States, based in her participation in that movement. It explores the global legacy of second-wave feminism for the present day, and proposes some measures for completing its unfinished business. Adrian Piper (b. 1948) is a first-generation Conceptual artist and analytic philosopher. Her artwork, in a variety of traditional and nontraditional media, explores the limits of the self and individual identity in the social and political context. In 1987 she became the first tenured African American woman professor in the field of philosophy. She has taught phi...
This study examines how artists in the US reimagined aesthetic practice through performances of refu...
One of the world’s leading proponents of objectivism discusses philosopher Ayn Rand’s literary portr...
How can conceptual art contribute to political discourse? By the late 1960s, New York conceptual art...
1 h 55 minPiper’s lecture «Lessons from the Playbook of Second-Wave Feminism» is a candid appraisal ...
Conceptual artist Adrian Piper describes the “indexical present” as a concrete moment to which she i...
" Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and...
Doing feminist work from within patriarchal institutions comes with unique challenges. We invited tw...
A review of the Adrian Piper: A Synthesis of Intuitions exhibition held at MoMA NYC, 27 March to 22 ...
In the twentieth century, most PhD-trained academic philosophers in both the United States and Unite...
1 h 35 minAs the first Academy Lecture of the semester, FRANK has invited MYCKET in conversation abo...
This study examines how artists in the US reimagined aesthetic practice through performances of refu...
In donning personae and assuming alternate identities, Adrian Piper inserts herself into dynamic inv...
The purpose of qualitative case study was to examine the development of activist feminist teachers, ...
Cory, my daughter, accuses me of having no thoughts of my own. I was talking with Jeremy [“Cory, wha...
Piper Kerman’s bestselling memoir, Orange is the New Black: My Year in a Women’s Prison, chronicles ...
This study examines how artists in the US reimagined aesthetic practice through performances of refu...
One of the world’s leading proponents of objectivism discusses philosopher Ayn Rand’s literary portr...
How can conceptual art contribute to political discourse? By the late 1960s, New York conceptual art...
1 h 55 minPiper’s lecture «Lessons from the Playbook of Second-Wave Feminism» is a candid appraisal ...
Conceptual artist Adrian Piper describes the “indexical present” as a concrete moment to which she i...
" Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and...
Doing feminist work from within patriarchal institutions comes with unique challenges. We invited tw...
A review of the Adrian Piper: A Synthesis of Intuitions exhibition held at MoMA NYC, 27 March to 22 ...
In the twentieth century, most PhD-trained academic philosophers in both the United States and Unite...
1 h 35 minAs the first Academy Lecture of the semester, FRANK has invited MYCKET in conversation abo...
This study examines how artists in the US reimagined aesthetic practice through performances of refu...
In donning personae and assuming alternate identities, Adrian Piper inserts herself into dynamic inv...
The purpose of qualitative case study was to examine the development of activist feminist teachers, ...
Cory, my daughter, accuses me of having no thoughts of my own. I was talking with Jeremy [“Cory, wha...
Piper Kerman’s bestselling memoir, Orange is the New Black: My Year in a Women’s Prison, chronicles ...
This study examines how artists in the US reimagined aesthetic practice through performances of refu...
One of the world’s leading proponents of objectivism discusses philosopher Ayn Rand’s literary portr...
How can conceptual art contribute to political discourse? By the late 1960s, New York conceptual art...