Add to ORKGThe modernization and globalization of Korea during the fifty years since the end of the Korean War have brought a remarkable development in every sphere of Korean society. The emergence of female composers is one of the most interesting of these. This dissertation will discuss the music of two internationally recognized composers, Unsuk Chin and Jiesun Lim. It will do this through an analysis of one piano piece by each, 12 Piano Etudes by Unsuk Chin and Spiritual Dance by Jiesun Lim. In order to understand these pieces and these women, Korean traditional music, the one hundred year history of Western music in Korea, and the changing role of women in the society will be discussed. Part of the analysis includes the performer's perspective an...
Through the lens of the cultural evolution of Trot, jazz, and contemporary avantgarde music genres f...
This dissertation focuses on kayagŭm shin'gok, newly composed music for the kayagŭm, a Korean 12-str...
To Korean people by the end of the 19th century who had previously enjoyed only traditional music ge...
Since the Japanese Occupation of Korea (1910-1945) and the Korean War (1950-1953), Western Classica...
The purpose of this study is to introduce two Korean women composers who are actively working in the...
172 p.Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2002.This study in divided into...
The impact of Western music on the music of non-Western cultures has been an important topic in ethn...
This essay presents an overview of Changjak gugak in the twenty-first centuries in threefold: a brie...
Since the 1960s, several gifted Korean composers, including perhaps most notably Young Jo Lee (b. 19...
While individual aspects of gender in South Korean traditional music have been previously explored,...
The colonial period represents a complex situation in which Korean music performances were transform...
Even though Western music appeared only about one hundred years ago in Korea, it was rapidly popula...
This dissertation investigates the Late Chosŏn Korean vernacular music genre known as chamber music ...
The focus of this dissertation is on the vocal music of Young-Ja Lee, the most important Korean woma...
Unsuk Chin (b. 1961) is the most internationally recognised living Korean-born composer. She has rec...
Through the lens of the cultural evolution of Trot, jazz, and contemporary avantgarde music genres f...
This dissertation focuses on kayagŭm shin'gok, newly composed music for the kayagŭm, a Korean 12-str...
To Korean people by the end of the 19th century who had previously enjoyed only traditional music ge...
Since the Japanese Occupation of Korea (1910-1945) and the Korean War (1950-1953), Western Classica...
The purpose of this study is to introduce two Korean women composers who are actively working in the...
172 p.Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2002.This study in divided into...
The impact of Western music on the music of non-Western cultures has been an important topic in ethn...
This essay presents an overview of Changjak gugak in the twenty-first centuries in threefold: a brie...
Since the 1960s, several gifted Korean composers, including perhaps most notably Young Jo Lee (b. 19...
While individual aspects of gender in South Korean traditional music have been previously explored,...
The colonial period represents a complex situation in which Korean music performances were transform...
Even though Western music appeared only about one hundred years ago in Korea, it was rapidly popula...
This dissertation investigates the Late Chosŏn Korean vernacular music genre known as chamber music ...
The focus of this dissertation is on the vocal music of Young-Ja Lee, the most important Korean woma...
Unsuk Chin (b. 1961) is the most internationally recognised living Korean-born composer. She has rec...
Through the lens of the cultural evolution of Trot, jazz, and contemporary avantgarde music genres f...
This dissertation focuses on kayagŭm shin'gok, newly composed music for the kayagŭm, a Korean 12-str...
To Korean people by the end of the 19th century who had previously enjoyed only traditional music ge...