Riefenstahl's career is examined through criticism which only allows two images: Riefenstahl as a Nazi film propagandist or Riefenstahl as a pure artist. My research shows that Riefenstahl is a complex person; therefore, it is impossible to place her into categories. Through her memoirs, Die Macht der Bilder, Das Blaue Licht, Triumph des Willens, Olympia, Tiefland, her Nuba material, and her underwater work it becomes clear that her career must be examined within the context of its time. Her films and photographs are considered for their artistic qualities as well as for their innovative elements
Praca licencjacka dotyczy funkcjonowania propagandy w Trzeciej Rzeszy na przykładzie filmów dokument...
Restricted until 3 Aug. 2009.Chapter one addresses a primary source of Hitler's iconic image, Leni R...
This study investigates the connection between Leni Riefenstahl and the fascist aesthetic, and descr...
This screenplay dramatizes the controversial career of German film maker Leni Riefenstahl during ten...
Graduate student conference held December 4-5, 2009 at the University of British Columbia. Plenary a...
So many things have been written about me, masses of insolent lies and inventions, that I would have...
While the inadequate archival preservation of films by early women directors such as Alice Guy-Blach...
Leni Riefenstahl’s Triumph of the Will is rightly considered a massive technical achievement in the ...
This study contains German social mythologies in Leni Riefenstahl’s documentary film depicting the T...
This new book on Leni Riefenstahl's extensive body of work promises to analyze the 'often forgotten ...
In meiner Diplomarbeit beschäftige ich mich mit dem Mann und mit der Frau und ihren Rollen in der Ge...
Public discourse around the Nazi regime is typically surrounded by its doctrine of hatred and violen...
Das Ziel der vorliegenden Diplomarbeit war es, das von Leni Riefenstahl in „Olympia“ (1938) inszenie...
Fra il 1934 e il 1940, nella Germania nazista a Leni Riefenstahl viene indirettamente affidato il co...
Conference paper given at International History of Public Relations Conference 6-7 July 2016 Univers...
Praca licencjacka dotyczy funkcjonowania propagandy w Trzeciej Rzeszy na przykładzie filmów dokument...
Restricted until 3 Aug. 2009.Chapter one addresses a primary source of Hitler's iconic image, Leni R...
This study investigates the connection between Leni Riefenstahl and the fascist aesthetic, and descr...
This screenplay dramatizes the controversial career of German film maker Leni Riefenstahl during ten...
Graduate student conference held December 4-5, 2009 at the University of British Columbia. Plenary a...
So many things have been written about me, masses of insolent lies and inventions, that I would have...
While the inadequate archival preservation of films by early women directors such as Alice Guy-Blach...
Leni Riefenstahl’s Triumph of the Will is rightly considered a massive technical achievement in the ...
This study contains German social mythologies in Leni Riefenstahl’s documentary film depicting the T...
This new book on Leni Riefenstahl's extensive body of work promises to analyze the 'often forgotten ...
In meiner Diplomarbeit beschäftige ich mich mit dem Mann und mit der Frau und ihren Rollen in der Ge...
Public discourse around the Nazi regime is typically surrounded by its doctrine of hatred and violen...
Das Ziel der vorliegenden Diplomarbeit war es, das von Leni Riefenstahl in „Olympia“ (1938) inszenie...
Fra il 1934 e il 1940, nella Germania nazista a Leni Riefenstahl viene indirettamente affidato il co...
Conference paper given at International History of Public Relations Conference 6-7 July 2016 Univers...
Praca licencjacka dotyczy funkcjonowania propagandy w Trzeciej Rzeszy na przykładzie filmów dokument...
Restricted until 3 Aug. 2009.Chapter one addresses a primary source of Hitler's iconic image, Leni R...
This study investigates the connection between Leni Riefenstahl and the fascist aesthetic, and descr...