Representations of indigeneity abound in late-twentieth-century Chicano/a cultural productions, occupying genres as diverse as the political treatise, novel, poem, and news report. The work that follows traces the construction and ideological implications of indigenous Mexican culture, or 'Indian' signifiers in Chicano/a cultural production, a fundamental but often overlooked feature of Chicano/a subject formation. I bring Chicano/a indigenism into conversation with two historical and social phenomenon, Mexican indigenous migrants in the US and post-Revolutionary Mexican national discourse, to explore their influences and challenges to notions of authenticity and nationalism. "Mestizaje," a product of Mexican post-Revolutionary national dis...
¡Grito!: Cultural Nationalism and the Chicana/o Insurgency in New Mexico, 1968-1978, is one of the f...
The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—...
The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—...
This study explores the idea of Mexican-American indigenous identity, or indigeneity. I argue that m...
This dissertation investigates the development and contradictions of the discourse of mestizaje in i...
In the United States in the mid-1960's, Chicano cultural nationalists mobilized a generation by recu...
Popular images of indigenous cultures, both past and present, have served to construct pernicious ra...
This thesis examines the representations of indigeneity within the Chicana indigenist\ud imaginary b...
This project investigates and critically engages the legacies of mestizaje within Chicana/o identity...
This project investigates and critically engages the legacies of mestizaje within Chicana/o identity...
To challenge the dominant Mexican narrative of racial democracy that traditionally invisibilizes and...
Chicano/a culture encompasses dynamic meanings, which continue to be a focus of contention with rega...
Indigenous social movements in the Americas have multiple sources, but in regards to Mexican America...
Due to the multi-dimensional nature of ethnicity, it may not be easy to discuss the problems of ethn...
Abstract This paper draws upon historical and ethnographic research to think through the effects of ...
¡Grito!: Cultural Nationalism and the Chicana/o Insurgency in New Mexico, 1968-1978, is one of the f...
The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—...
The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—...
This study explores the idea of Mexican-American indigenous identity, or indigeneity. I argue that m...
This dissertation investigates the development and contradictions of the discourse of mestizaje in i...
In the United States in the mid-1960's, Chicano cultural nationalists mobilized a generation by recu...
Popular images of indigenous cultures, both past and present, have served to construct pernicious ra...
This thesis examines the representations of indigeneity within the Chicana indigenist\ud imaginary b...
This project investigates and critically engages the legacies of mestizaje within Chicana/o identity...
This project investigates and critically engages the legacies of mestizaje within Chicana/o identity...
To challenge the dominant Mexican narrative of racial democracy that traditionally invisibilizes and...
Chicano/a culture encompasses dynamic meanings, which continue to be a focus of contention with rega...
Indigenous social movements in the Americas have multiple sources, but in regards to Mexican America...
Due to the multi-dimensional nature of ethnicity, it may not be easy to discuss the problems of ethn...
Abstract This paper draws upon historical and ethnographic research to think through the effects of ...
¡Grito!: Cultural Nationalism and the Chicana/o Insurgency in New Mexico, 1968-1978, is one of the f...
The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—...
The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—...