This study examines questions about the most effective ways how to learn an operatic role in a relatively short time. The study consists of my own experiences and observations as I was learning the stage cover role of Donna Elvira for the Finnish National Opera in March 2020. I am reflecting my observations of the learning process towards a theoretical framework that is based on literature and interviews of the director Jussi Nikkilä and assistant director Anna Kelo
Opera conventionally focuses on the vocal music aspect of performance. This paper is instead concern...
Since the 1980s, Opera Houses across Europe have started education programmes; some encouraged by na...
Masteroppgave musikk - Universitetet i Agder, 2014Opera combines two major art forms. Music and thea...
This study examines questions about the most effective ways how to learn an operatic role in a relat...
Opera itself is a combination of music, poetry, acting and plastic where the central role-plays sing...
As the majority of professional classical singers earn a significant part of their living in opera, ...
This book explores in some detail the types of interactions between text,music and performance in op...
This study examines questions about the opera singer’s learning techniques. What happens when I, as ...
In opera, acting is often seen as secondary to vocal performance. This study considers the status of...
Preparing an operatic role is a very extensive process for a student singer. Problems that confront...
This thesis examines the process of preparing for operatic roles by combining elements of Constantin...
Throughout the twentieth century, Boris Goldovsky (1908-2001) played a significant role in training ...
While considerable research has explored the skills elite professionals use to sustain performance e...
This study aims to determine whether a series of drama workshops inspired by the acting techniques o...
The present thesis explores factors and processes associated with the artistic profession and develo...
Opera conventionally focuses on the vocal music aspect of performance. This paper is instead concern...
Since the 1980s, Opera Houses across Europe have started education programmes; some encouraged by na...
Masteroppgave musikk - Universitetet i Agder, 2014Opera combines two major art forms. Music and thea...
This study examines questions about the most effective ways how to learn an operatic role in a relat...
Opera itself is a combination of music, poetry, acting and plastic where the central role-plays sing...
As the majority of professional classical singers earn a significant part of their living in opera, ...
This book explores in some detail the types of interactions between text,music and performance in op...
This study examines questions about the opera singer’s learning techniques. What happens when I, as ...
In opera, acting is often seen as secondary to vocal performance. This study considers the status of...
Preparing an operatic role is a very extensive process for a student singer. Problems that confront...
This thesis examines the process of preparing for operatic roles by combining elements of Constantin...
Throughout the twentieth century, Boris Goldovsky (1908-2001) played a significant role in training ...
While considerable research has explored the skills elite professionals use to sustain performance e...
This study aims to determine whether a series of drama workshops inspired by the acting techniques o...
The present thesis explores factors and processes associated with the artistic profession and develo...
Opera conventionally focuses on the vocal music aspect of performance. This paper is instead concern...
Since the 1980s, Opera Houses across Europe have started education programmes; some encouraged by na...
Masteroppgave musikk - Universitetet i Agder, 2014Opera combines two major art forms. Music and thea...