Opera and Parody in Paris, 1860-1900 interrogates press caricatures and cartoons, popular song, staged revue and opera parodies to discover the role they play within the theatrical, social, and wider cultural context and economy they inhabit. These intertextual and intermedial ‘texts’ are analysed as reception documents, as ‘autonomous’ artistic products, as cultural phenomena to discover the ways in which their parody works, and for whom. This study interrogates press caricatures and cartoons, staged revue and opera parodies to reveal the role they play within the Parisian theatrical, social and cultural sphere. From the beginnings of Wagner reception in Paris, through the heyday of opra-bouffe in the hands of that comic genius Herv, to th...
This study situates Parisian operagoing in the context of nineteenth-century visual and social pract...
Music for the stage has always been embedded in a network of power relationships between states, imp...
This thesis examines the production and reception of French opera in New Orleans in the first half o...
Studies in the history of French nineteenth-century stage music have blossomed in the last decade, e...
When press censorship was abolished in France in 1881, Parisian newspapers saw an explosion of creat...
When press censorship was abolished in France in 1881, Parisian newspapers saw an explosion of creat...
When press censorship was abolished in France in 1881, Parisian newspapers saw an explosion of creat...
243 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007.Beginning with the surprising...
243 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007.Beginning with the surprising...
The social status of singing changed radically over the course of the nineteenth century. During the...
The social status of singing changed radically over the course of the nineteenth century. During the...
Includes bibliographical references (leaves 175-186).Wagner's avowed aim in his music-dramas was to ...
The emergence of grand opéra around 1830 resulted in large-scale works in five acts setting libretti...
This dissertation is one of the first book-length contributions on féerie, the French fairy play, an...
Opera and musical theater dominated French culture in the 1800s, and the influential stage music tha...
This study situates Parisian operagoing in the context of nineteenth-century visual and social pract...
Music for the stage has always been embedded in a network of power relationships between states, imp...
This thesis examines the production and reception of French opera in New Orleans in the first half o...
Studies in the history of French nineteenth-century stage music have blossomed in the last decade, e...
When press censorship was abolished in France in 1881, Parisian newspapers saw an explosion of creat...
When press censorship was abolished in France in 1881, Parisian newspapers saw an explosion of creat...
When press censorship was abolished in France in 1881, Parisian newspapers saw an explosion of creat...
243 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007.Beginning with the surprising...
243 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007.Beginning with the surprising...
The social status of singing changed radically over the course of the nineteenth century. During the...
The social status of singing changed radically over the course of the nineteenth century. During the...
Includes bibliographical references (leaves 175-186).Wagner's avowed aim in his music-dramas was to ...
The emergence of grand opéra around 1830 resulted in large-scale works in five acts setting libretti...
This dissertation is one of the first book-length contributions on féerie, the French fairy play, an...
Opera and musical theater dominated French culture in the 1800s, and the influential stage music tha...
This study situates Parisian operagoing in the context of nineteenth-century visual and social pract...
Music for the stage has always been embedded in a network of power relationships between states, imp...
This thesis examines the production and reception of French opera in New Orleans in the first half o...