This book, the first to trace revenge tragedy's evolving dialogue with early modern law, draws on changing laws of evidence, food riots, piracy, and debates over royal prerogative. By taking the genre's legal potential seriously, it opens up the radical critique embedded in the revenge tragedies of Kyd, Shakespeare, Marston, Chettle and Middleton
This dissertation examines the role of the stage in cultural debate about revenge in early modern En...
William Shakespeare’s The Merchant of Venice addresses various legal issues and themes, with perhaps...
The revenge- and poison- filled tragedies of seventeenth century England astound audiences with thei...
Early modern English revenge plays often reach a climax when vengeance is carried out in a masque. T...
The first book-length attempt to set the generic parameters of early modern revenge tragedy was also...
Hamlet, at once the best-known of all revenge tragedies and a significant departure from its predece...
The Revenge Play1 in the form Thomas Kyd gave it in The Spanish Tragedy, and in the form used subseq...
In the twenty-first century, as in the sixteenth, a blindfolded woman holding a sword and scales per...
Starting from a general overview of the crisis of authority that marked the early modern period due ...
Though it is a critical commonplace that English revenge tragedy began with Thomas Kyd’s The Spanish...
This project explores Renaissance revenge tragedy's conspicuous theatricality in light of the genre'...
This review considers Derek Dunne's Shakespeare, Revenge Tragedy and Early Modern Law: Vindicti...
This paper analyzes the origin of the revenge tragedies and the influence of theRoman playwright Sen...
There has been a great deal of scholarly focus on the children of William Shakespeare’s plays, where...
The book by Bjôrn Quiring, Shakespeare’s Curse. The Aporias of Ritual Exclusion in Early Modern Roya...
This dissertation examines the role of the stage in cultural debate about revenge in early modern En...
William Shakespeare’s The Merchant of Venice addresses various legal issues and themes, with perhaps...
The revenge- and poison- filled tragedies of seventeenth century England astound audiences with thei...
Early modern English revenge plays often reach a climax when vengeance is carried out in a masque. T...
The first book-length attempt to set the generic parameters of early modern revenge tragedy was also...
Hamlet, at once the best-known of all revenge tragedies and a significant departure from its predece...
The Revenge Play1 in the form Thomas Kyd gave it in The Spanish Tragedy, and in the form used subseq...
In the twenty-first century, as in the sixteenth, a blindfolded woman holding a sword and scales per...
Starting from a general overview of the crisis of authority that marked the early modern period due ...
Though it is a critical commonplace that English revenge tragedy began with Thomas Kyd’s The Spanish...
This project explores Renaissance revenge tragedy's conspicuous theatricality in light of the genre'...
This review considers Derek Dunne's Shakespeare, Revenge Tragedy and Early Modern Law: Vindicti...
This paper analyzes the origin of the revenge tragedies and the influence of theRoman playwright Sen...
There has been a great deal of scholarly focus on the children of William Shakespeare’s plays, where...
The book by Bjôrn Quiring, Shakespeare’s Curse. The Aporias of Ritual Exclusion in Early Modern Roya...
This dissertation examines the role of the stage in cultural debate about revenge in early modern En...
William Shakespeare’s The Merchant of Venice addresses various legal issues and themes, with perhaps...
The revenge- and poison- filled tragedies of seventeenth century England astound audiences with thei...