Violence and murder have a strong cultural currency, the implications of which should be pursued by those with an interest in law and society, crime, and justice. Murder ballads are songs about death and killing with a history stretching back to the nineteenth century. Drawing out the major themes of this genre can help scholars gain a handle on how murder has been treated in popular culture, thereupon providing an enhanced understanding of the human condition. As an example of such examination, 2016 marked the twentieth anniversary of Nick Cave and the Bad Seeds’ Murder Ballads, their most famous and, perhaps, defining album. More than any other Bad Seeds album, Murder Ballads captures the essence of a band at its most comfortable in explo...
The published work on which this submission is based examines the ways in which deaths of popular mu...
This article seeks to decode the artistic strategies employed by Nick Cave on two of his recent albu...
There is considerable moral ambivalence in the representation of revenge in anglophone ballads (comp...
Violence and murder have a strong cultural currency, the implications of which should be pursued by ...
This paper develops a typology of murder ballads to inform and assist legal scholars in engaging wit...
Popular music has often talked about themes of relevance to legal scholars, issues such as criminali...
Murder ballads, or narrative songs centered on a murder and/or its aftermath, were historically used...
Homicide is a rare event, but depictions of it are quite common in our culture and discourse. Commer...
Traditional, or folk, ballads deal with common themes, often “leaping” over some details of plot and...
This article tries to interpret the lyrics from From Her to Eternity (1984), a debut studio album by...
Popular music studies generally celebrate the power of music to empower the construction of individu...
From James Rovira's introduction: "Mark A. McCutcheon shifts the locus of suffering to substance abu...
The evidence of death and dying has been removed from the everyday lives of most Westerners. Yet we ...
Written against the academically dominant but simplistic romanticization of popular music as a posit...
This short Article, by a law professor and a law librarian, was written because of our personal inte...
The published work on which this submission is based examines the ways in which deaths of popular mu...
This article seeks to decode the artistic strategies employed by Nick Cave on two of his recent albu...
There is considerable moral ambivalence in the representation of revenge in anglophone ballads (comp...
Violence and murder have a strong cultural currency, the implications of which should be pursued by ...
This paper develops a typology of murder ballads to inform and assist legal scholars in engaging wit...
Popular music has often talked about themes of relevance to legal scholars, issues such as criminali...
Murder ballads, or narrative songs centered on a murder and/or its aftermath, were historically used...
Homicide is a rare event, but depictions of it are quite common in our culture and discourse. Commer...
Traditional, or folk, ballads deal with common themes, often “leaping” over some details of plot and...
This article tries to interpret the lyrics from From Her to Eternity (1984), a debut studio album by...
Popular music studies generally celebrate the power of music to empower the construction of individu...
From James Rovira's introduction: "Mark A. McCutcheon shifts the locus of suffering to substance abu...
The evidence of death and dying has been removed from the everyday lives of most Westerners. Yet we ...
Written against the academically dominant but simplistic romanticization of popular music as a posit...
This short Article, by a law professor and a law librarian, was written because of our personal inte...
The published work on which this submission is based examines the ways in which deaths of popular mu...
This article seeks to decode the artistic strategies employed by Nick Cave on two of his recent albu...
There is considerable moral ambivalence in the representation of revenge in anglophone ballads (comp...