Elsa Schiaparelli has been variously portrayed as a surrealist, a modernist, an artist and a designer. Described by Chanel as ‘that Italian artist who makes clothes’, in her three decades as a couturier Schiaparelli drew on, engaged with and transformed schools of modernist and surrealist art and design, working with figures such as Marcel Duchamp, Jean Cocteau and Salvador Dalí. This article considers Schiaparelli’s interactions with both modernism and surrealism, asking how her experience as a woman and designer affected her status as artist/surrealist/modernist. In reference to writing about and by Schiaparelli, her fashion designs, and theorisations of modernism and surrealism, I question the usefulness of such categories while also...
Suzanne Duchamp pushed the boundaries of painting by incorporating unorthodox, machine-made material...
While the majority of the scholarship around surrealist relationships with fashion look at the era o...
Some Finnish garments from the 1930s–1950s with bowtie-, butterfly-, bird-, plant-, and sea-related ...
Since 1936, the italian fashion designer Elsa Schiaparelli enters in touch with the surrealistic env...
Elsa Schiaparelli to włoska projektantka mody działająca w latach 30. w Paryżu. Współpracowała z naj...
L’èxit popular i mediàtic del surrealisme s’ha mantingut viu al llarg dels segles XX i XXI, fins i t...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2011.This project ...
Ovaj rad se bavi nadrealizmom kao revolucionarnim pokretom koji od 20-ih godina 20. stoljeća nastupa...
(Statement of Responsibility) by Megan O'Brian(Thesis) Thesis (B.A.) -- New College of Florida, 20...
Modernism has two faces, two different kinds of visual grammar. One is sleek, frictionless and inhum...
Im Fokus der vorliegenden Arbeit liegt der gegenseitige Einfluss von Mode und der literarisch-künstl...
Although indirect, Toti Scialoja’s interest in surrealism emerges in successive phases and with diff...
Phyllis Hutchinson Montrose (b. 1928) is a Colorado-based Surrealistic artist who relies upon her dr...
There's nothing pure about modernism. For all the later critical emphasis upon 'medium specificity',...
My dissertation examines the role played by the surrealist object in the avant-garde strategies of ...
Suzanne Duchamp pushed the boundaries of painting by incorporating unorthodox, machine-made material...
While the majority of the scholarship around surrealist relationships with fashion look at the era o...
Some Finnish garments from the 1930s–1950s with bowtie-, butterfly-, bird-, plant-, and sea-related ...
Since 1936, the italian fashion designer Elsa Schiaparelli enters in touch with the surrealistic env...
Elsa Schiaparelli to włoska projektantka mody działająca w latach 30. w Paryżu. Współpracowała z naj...
L’èxit popular i mediàtic del surrealisme s’ha mantingut viu al llarg dels segles XX i XXI, fins i t...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2011.This project ...
Ovaj rad se bavi nadrealizmom kao revolucionarnim pokretom koji od 20-ih godina 20. stoljeća nastupa...
(Statement of Responsibility) by Megan O'Brian(Thesis) Thesis (B.A.) -- New College of Florida, 20...
Modernism has two faces, two different kinds of visual grammar. One is sleek, frictionless and inhum...
Im Fokus der vorliegenden Arbeit liegt der gegenseitige Einfluss von Mode und der literarisch-künstl...
Although indirect, Toti Scialoja’s interest in surrealism emerges in successive phases and with diff...
Phyllis Hutchinson Montrose (b. 1928) is a Colorado-based Surrealistic artist who relies upon her dr...
There's nothing pure about modernism. For all the later critical emphasis upon 'medium specificity',...
My dissertation examines the role played by the surrealist object in the avant-garde strategies of ...
Suzanne Duchamp pushed the boundaries of painting by incorporating unorthodox, machine-made material...
While the majority of the scholarship around surrealist relationships with fashion look at the era o...
Some Finnish garments from the 1930s–1950s with bowtie-, butterfly-, bird-, plant-, and sea-related ...