This thesis concerns the artworks of Donald Judd, particularly those created between 1979-1994 and installed at Fort D. A. Russell in Marfa, Texas and conserved by the Chinati Foundation. A brief examination of Judd's early sculpture and experimentation with serial imagery, as they relate to the Marfa works, is provided as are some of Judd's writings which assisted the development of permanent installation sites. A discussion of Judd's move from a traditional gallery/museum environment to an outdoor site in Texas during the 1970's is provided as well as a history of the Dia Art Foundation which developed partially in response to artists' needs. Two series in particular installed at Fort Russell--one hundred milled aluminum boxes and fifteen...
Donald Judd’s 1964 essay 'Specific Objects' probably remains his most well-known. In it, he describe...
textThis study examined the impact of the arts on community development in the town of Marfa, Texas....
Ce doctorat se penche sur les conditions d’émergence d’une figure de « l’artiste universitaire » aux...
"This book presents an unprecedented visual survey of the living and working spaces of the artist Do...
On an elevated plinth of west Texas prairie grass land, in a visually isolated corner of the Chinati...
Architectural projects and/or sites mentioned: Hokke-dō (Sangatsudō) (740-747) (Nara, Japan) ; 101 S...
Smith analyzes Judd's use of colour, line, and volume to articulate the separate and distinct spaces...
In a largely biographical essay, Smith documents the development of Judd's work from art criticism a...
The motivation interested me, refers to the idea that the space where one's stand at a specific mome...
Ziel der vorliegenden Dissertation ist es, eine neue Betrachtungsweise auf das Werk des Minimalisten...
Ziel der vorliegenden Dissertation ist es, eine neue Betrachtungsweise auf das Werk des Minimalisten...
Historiographical accounts of the American artist Donald Judd, and of Minimal art in general, have f...
The essay examines the development of Judd’s early art criticism and sculpture at the point at which...
Part of the series New Studies in Sculpture. The chapter is part of a book that examines how key me...
AbstractThe aim of this writing is to consider how a certain material dialectic is stated in the so ...
Donald Judd’s 1964 essay 'Specific Objects' probably remains his most well-known. In it, he describe...
textThis study examined the impact of the arts on community development in the town of Marfa, Texas....
Ce doctorat se penche sur les conditions d’émergence d’une figure de « l’artiste universitaire » aux...
"This book presents an unprecedented visual survey of the living and working spaces of the artist Do...
On an elevated plinth of west Texas prairie grass land, in a visually isolated corner of the Chinati...
Architectural projects and/or sites mentioned: Hokke-dō (Sangatsudō) (740-747) (Nara, Japan) ; 101 S...
Smith analyzes Judd's use of colour, line, and volume to articulate the separate and distinct spaces...
In a largely biographical essay, Smith documents the development of Judd's work from art criticism a...
The motivation interested me, refers to the idea that the space where one's stand at a specific mome...
Ziel der vorliegenden Dissertation ist es, eine neue Betrachtungsweise auf das Werk des Minimalisten...
Ziel der vorliegenden Dissertation ist es, eine neue Betrachtungsweise auf das Werk des Minimalisten...
Historiographical accounts of the American artist Donald Judd, and of Minimal art in general, have f...
The essay examines the development of Judd’s early art criticism and sculpture at the point at which...
Part of the series New Studies in Sculpture. The chapter is part of a book that examines how key me...
AbstractThe aim of this writing is to consider how a certain material dialectic is stated in the so ...
Donald Judd’s 1964 essay 'Specific Objects' probably remains his most well-known. In it, he describe...
textThis study examined the impact of the arts on community development in the town of Marfa, Texas....
Ce doctorat se penche sur les conditions d’émergence d’une figure de « l’artiste universitaire » aux...